I like the sort of 'nothingness' of the jeans and the T-shirt. I feel that's about as close as I can get to the future because it seems like something so old that will always be, so I feel it's a safe bet for the future.
But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.
I love my life. I can't believe I work in New York and Paris. That I work for Louis Vuitton. That I work for Marc Jacobs. It seems really weird every time I say my full name - like, that's me, and every time I hear the receptionist say my name, it's still weird.
I always say I lived my life with my grandmother. She was emotionally stable, and she was very encouraging to me.
I think beauty is youth; it's energy. I'm attracted to imperfection, style, confidence, and experimentation. So beauty, to me, is really a lot of things. It's kind of unexpected-what surprises you.
I don't know, but I always loved that image of a girl putting toenail polish on a guy - her boyfriend, or something like that. Or a guy waking up in the morning and reaching over and putting on his girlfriend's shirt. Like Keith Richards putting on one of Anita Pallenberg's blouses, or Courtney Love putting nail polish on Kurt Cobain.
I remember walking the dog one day, I saw a car full of teenage girls, and one of them rolled down the window and yelled, 'Marc Jacobs!' in a French accent.
I am Marc Jacobs by birth, but we are Marc Jacobs by the company that we built.
I love attention, I'm very honest about it ... [but] if I wanna wear a pink dress or a lace dress or a kilt of whatever, it's like I'm not solely doing it for attention, I'm doing it first for myself because it gives me pleasure.
The Louis Vuitton woman is more about a quality - a quality within some women that needs to come forward, to be noticed and recognised.
Whether it's an $11 flip-flop or a $2 key ring or a $2,000 dress, they're all done with integrity. They're all done with a design sense. As long as the creativity exists, then I don't think it's a sellout. A sellout is putting your name on any piece of crap and then expecting people to buy it because it's got your name on it.
Sofia is so active, and she made The Virgin Suicides, which I thought was great - all these things are inspiring to me, not in terms of creating a particular dress, but just in terms of knowing that there is this type of woman out there.
We're developing things, but I don't know what we'll go with for the show, so I don't like to talk about it.
It's so weird how scary it is at the beginning of rehab, and then you bond with the people, and it's really an amazing experience. It is impossible to do it on your own, and it's good to ask for help when we need it.
My mind absorbs things in a funny way. I'm on planes quite a bit and I always take stacks and stacks of magazines and I go through them and tear pages out and fold them up, and they get stuck at the bottom of my backpack or whatever.
Awkwardness gives me great comfort. I've never been cool, but I've felt cool. I've been in the cool place, but I wasn't really cool - I was trying to pass for hip or cool. It's the awkwardness that's nice.
I can remember years ago, when Kate Moss first came around and there were so many articles. Everyone was saying that it was heroin chic - that she was a waif, that she was anorexic. But Kate would eat just as much as anybody I knew - the media had just turned her into this thing. It must be really, really hard when you're the object of that.
I go through phases where I buy only Speed Stick and Axe, and Noxzema shaving cream.
To be useful to others and to be useful to myself is definitely a better place to be.
But in another, I think a woman's going to go into a shop to find a coat or a jacket and I just don't think she's not going to go into a shop because of a bad review she probably didn't even read.
The attention toward me is basically because of what we've built as a company. If we built a pile of crap then nobody would care what I ate for lunch.
I do think that in order for a company to be interesting to the investment community, there needs to be a plan; there needs to be a bigger retail footprint. There needs to be this idea - DNA, lifestyle, words I hate.
It's funny because every time I go to a shoot, and I have clothes on, they inevitably come off. I just did one recently and the stylist was like, "So..." and you just know that they are going to get to the point where they say "Can you take your clothes off?"
I am really glad to be working at the profession that I love.
Sometimes I miss hamburgers, I should say that. I miss the tuna pizzas at Mercer Kitchen.
