People fascinated by the idea of progress never suspect that every step forward is also a step on the way to the end.
There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.
Einmal ist keinmal, says Tomas to himself. What happens but once, says the German adage, might as well not have happened at all. If we have only one life to live, we might as well not have lived at all.
Once the writer in every individual comes to life (and that time is not far off), we are in for an age of universal deafness and lack of understanding.
The novel is not the author's confession; it is an investigation of human life in the trap the world has become