We are all God's animated cartoons.
One of the great things about doing animated movies is that you don't have to dress up or put on make-up.
No man, and least of all myself, could ever disentangle the feelings that animated him.
That's what's great about animation: It's collegial, and it's all about collaboration. Any good animated film is good for animation.
I do enjoy animated movies.
All movies are inherently collaborative, and animation even more so. There are hundreds and hundreds of people involved with an animated movie.
I've always loved animation and animated films.
I make a lot of expressions constantly. I'm animated.
[Doogal] wasn't even animated. It was still and the audience had to move.
I initially moved to Switzerland for work on an animated feature film, and have been here ever since.
The most effective 3D movies I have ever seen are the animated movies because they are designed.
I wrote for television some, animation. Batman the Animated Series, Superman the Animated Series, Son of Batman, things of that nature were made and I'm happy about that, but now the recent film and TV stuff have validated me, as if that makes any sense.
I would say just in general, in life, I'm more willing to be animated as a person, and so obviously onstage as well.
Every time I do a movie, especially an animated movie, I just seem to scream and shout and hyperventilate for money.
People are very harsh critics of animated humans.
I'd love to do a PG-13 animated adventure. It would be great.
I always wanted to do an animated movie. I find it to be incredibly liberating as a way of telling a story.
There are so many options in animation right now and this is such a great time to make animated movies that I want to make another one.
I would like to see an animating passion. Tim Kaine actually had a good line. What animated you before you got into politics? And she actually does have a story there to tell about children. And so drawing that animating passion will do good.
It was cool to me, as a fan of the comics, to see some of the villains that end up finding them there, and the way that they abuse Coulson before the superheroes come. I'm always, in the movies or in the animated series, getting into trouble that a superhero has to bail me out of.
I would say the biggest difference is that you're just in a studio by yourself when you're making an animated movie. You don't have anybody to play off of.
I have a goal to do my own animated film, something all my own.
I love employment, and it's never, ever guaranteed. As much as I love doing animated voices, I just love working.
There's always one sequence in every animated film that's the bane of every animator's existence.
The most animated talks we have are about...things
