Book Quotes - Page 215

The true test of any scholar's work is not what his contemporaries say, but what happens to his work in the next 25 or 50 years. And the thing that I will really be proud of is if some of the work I have done is still cited in the text books long after I am gone.

And there lies the horror: the past we remember is devoid of time. Impossible to reexperience a love the way we reread a book or resee a film.

These books ain't window dressing. I think Machiavelli's the most sophisticated writer outside of Shakespeare. Way ahead of his time. Such a manipulative person. Everything he accomplished he did by kissin' ass.

The only way to store information is by agreement. The belief system is like a Book of Law that rules our mind. Our biggest fear is taking the risk to be alive. Humans punish themselves endlessly for not being what they believe they should be. We have the need to be accepted and to be loved by others, but we cannot accept and love ourselves.

In my opinion, the most fruitful and natural play of the mind is conversation. I find it sweeter than any other action in life; and if I were forced to choose, I think I would rather lose my sight than my hearing and voice. The study of books is a drowsy and feeble exercise which does not warm you up.

The book is an experience that allows you to witness your feelings without having to surrender to them, to succumb to them, or to be battered by them. It gives you access to a deep knowledge of how you would respond to things you would never, thank goodness, have been required to experience.

One of the things that happens in novels it's almost like a continual debate with yourself. That's why you're writing the book. It's why you create characters: so you can argue with yourself.

Her life with others no longer interests him. He wants only her stalking beauty, her theatre of expressions. He wants the minute secret reflection between them, the depth of field minimal, their foreignness intimate like two pages of a closed book.

I was never a great reader, but there were two stories I loved best: Kipling's The Elephant's Child and The Jungle Book. Deep down, I've always wanted to write a book about a wild child and an elephant.

Angus Deaton has written a wonderful book, The Great Escape: Health, Wealth, and the Origins of Inequality. . . . Deaton's book is a magisterial overview of health, income, and wealth from the industrial revolution to the present, taking in countries poor and rich. Not just jargon-free but equation-free, the book is written with a beautifully lucid style. . . . [P]owerfully argued and convincing.

I always find with my stories that the way they start is that I just get so interested in a person that I'm compelled to go back to them over and over until I learn more and more about them, without even quite thinking it's material for a book.

I'd stumbled into a job at Salomon Brothers in 1985, and stumbled out, richer, in 1988, and even though I wrote a book about the experience, the whole thing still strikes me me as totally preposterous-which is one reason the money was so easy to walk away from.

I just got a fortune cookie that says "Turn off your computer and read a book" which is odd because I'm WRITING a book...on my computer!

[I like to read] spiritual books, non-fiction, fiction, I have my moods.

I wish I had read Sacred Pregnancy when I was pregnant instead of the dozen books I had to piece together to try to make sense of it all. Anni Daulter has created what should be the new standard for today's mom: birth journals, labor workbooks, pregnancy memoirs, and holistic wisdom. It is gentle and enlightening, and lays the foundation for what we know helps women have the labor and birth they want and deserve: support, self-knowledge, and empowerment.

All ancient books which have once been called sacred by man, will have their lasting place in the history of mankind, and those who possess the courage, the perseverance, and the self-denial of the true miner, and of the true scholar, will find even in the darkest and dustiest shafts what they are seeking for,-real nuggets of thought, and precious jewels of faith and hope.

A book should be a garden that fits in the hands. Word-petals of color. Stems of strength. roots of truth. Turn a page and turn the seasons. Read the sentence and enjoy the roses.

I write books that seem more suitable for children, and that's OK with me. They are a better audience and tougher critics. Kids tell you what they think, not what they think they should think.

You can never visit the same place twice. Each time, it's a different story. By the very act of coming back, you wipe out what came before.

It's always easier to say good-bye when you know it's just a prelude to hello.

Every morning, read seriously and reverently a portion of the Holy Scriptures, and acquaint yourselves with the history and doctrine thereof. It is a book full of light and wisdom, will make you wise to eternal life, and furnish you with directions and principles to guide and order your life safely and prudently.

There is only one genre in fiction, the genre is called book.

The Color Purple really floored me. That book was just incredible because I loved the language. The biggest deal of that book was that I loved the poetry of broken English. Broken English and vernacular. It just floored me that you can actually capture the way people really talked. And I also really connected to the social class element.

When I'm following what a character does in a book I don't have to think about my own life. Where I am. Why I'm here. My moms and my brother and my old man. I can just think about the character's life and try and figure out what's gonna happen. Plus when you're in a group home you pretty much can't go anywhere, right? But when you read books you almost feel like you're out there in the world. Like you're going on this adventure right with the main character. At least, that's the way I do it. It's actually not that bad. Even if it is mad nerdy.

I am a huge comic book fan, and I love everything vintage: cars, movies, music, art, and style - especially the 1950s style.