Cameras Quotes - Page 51

When you stand up there and do a press conference, it's a very preoccupied moment. You're standing in front of cameras; people are watching you; it's not so easy to be at ease.

I don't like kissing on camera. It's bad enough to be caught kissing by your parents. But when you have a whole crew watching you, it's a little weird.

Do you have a camera?" Jackson asked. "We could get some pictures and may be take a print or two if we're lucky." Jonas shook his head. "We'd probably get a bunch of ghosts and that would just freak me out.

I think that I need to work on being comfortable at being normal, everyday-ish on camera. Unlike a lot of actors, I think that's the thing that I'm not so comfortable with.

I carry a disposable camera. It takes me back to my childhood, when you had to develop your film and wait to see what pictures you got.

I'll go back to comedy clubs when they get a real no-camera policy, the same way they did with smoking.

I'm not a big fan of 'Jersey Shore' and those kinds of shows where people are really playing up to the cameras.

I had gotten rid of the crying when I got to high school, though it happened again when I was a junior. We lost in the state championship. It was kind of the same situation, camera in my face, and then that's when I realized it was over I had my moment.

A model needs to know how to project herself into the camera.

Good acting is thinking in front of the camera. I just do that and apply a sense of humor to it. You have to trust the audience to get it.

I made a mock newscast with my friend Amy. We'd set up the camera, an old VHS camcorder, and I did the sports section and interviewed my brother who pretended to be Jay Buhner... against his will, of course.

We as comics do want an immediate response from the audience. It's really quiet on the set, and there are only the producers, and the director, so a comic is looking for someone to give a reaction, even if it is the camera guy.

I don’t think I’ve said this on camera, (but Ricky Williams) is the largest part of why I chose to come play for UT

He understands now why kisses in movies are filmed the way they are, with the camera endlessly circling, circling: the ground is unsteady under his.

All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."

I got a massive overdose of gamma radiation from the Xerox machine and just printing call sheets, you know? By the time I stepped in front of the camera, I was very comfortable. It was great.

I love my cameras. I love contact sheets. I love the visceral thing of film and I'm not positive that I can replicate my lighting digitally. My assistants tell me I can, but, just stubborn I guess.

I just love when a movie takes a break and gives you a poetic moment, but sometimes it's good when they just happen randomly. If your actors are really comfortable and you let the camera roll, sometimes things happen and you just see something that's visually iconic, or emotionally that way.

What I wasn't used to was being in front of the camera.

I know what to do with the camera because I see the giant in the camera when I'm operating it live on the set.

I think I'm better behind the camera than I am in front.

All the films are hits before you turn the camera on. It's only in the execution that they fail. I've been less than happy with the way a couple of films were edited, but it's a director's prerogative and you gotta go with it.

If the FBI parks a van bristling with cameras outside your house, you are justified in closing your blinds.

In Hitchcocks eyes the movement was dramatic, not the acting. When he wanted the audience to be moved, he moved the camera. He was a subtle human being, and he was also the best director I have ever worked with.

In silent movies, they tended to put the camera down, and everybody walked in front of it and acted, and then they all walked off. Cutting was quite infrequent.