It's up to the actor to make sure they don't get typecast.
Casting is 50% of your task. If you cast well, you're halfway through.
The show is in the casting. Choose the right people.
Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it.
For the gods, though slow to see, see well, whenever a man casting aside worship turns folly.
Radio broadcasting was only 25 years old when I was born in 1932.
I don't understand why they call it public broadcasting. As far as I am concerned, there's nothing public about it; it's an elitist enterprise. 'Rush Limbaugh' is public broadcasting.
When I started out modeling, there weren’t casting directors and there weren’t stylists, so you just dealt directly with the designer. We were all much closer back then...
People will go into an audition and a casting situation, and they'll see someone across the room that's perhaps slightly famous, or famous, and they think, 'Oh God, I'm not gonna get the part.
People are always casting me for what they call my 'authority.
I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.
I spend a lot of time in preproduction working with authors, and a lot of time in postproduction.: editing, music, all that sort of stuff. Casting. On the set there's not a lot for me to do.
When a casting agent sees me, he kind of knows what he's getting.
Casting is all about availability, as much as anything else.
Casting is always subject to availabilities.
Getting the correct writer is simply like casting. You wouldn't hire an actor in order to tell him how to work. He knows how to work, which is why you hired him.
I have the best job in the entire history of broadcasting.
The public saw my father right out of central casting. He looked the part, acted the part... he was the part! The real life Godfather.
I'm still technically employed by the National Broadcasting Company.
Personally, I don't tend to go into casting sessions. I try not to have a preconceived notion in my head because it just reduces my options or ability to find someone cool.
Casting is really exciting. With 'Twilight,' I wasn't involved at all with the casting in the original. They kept me in the loop, which was great. They'd be like, 'Hey Kristen Stewart's gonna do it' and I was like, 'Really? Awesome.'
You have to remind casting directors out here that you don't just do one thing. There's a lot of people who do just one thing.
You know, I have never had a casting couch proposition in my life. I thought there was something wrong with me.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
Casting your voice out into the future is very beautiful to me.
