Character Quotes - Page 153

So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.

It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.

I prefer smaller movies because they tend to be more about character than about story.

You know, we have to take these characters - who, granted, have their separate personalities but, on a lot of levels, are pretty two-dimensional - and make them into people with flaws, with insecurities.

I surprised myself, that I was in the tissue of the character enough, that I could actually come up with something that I didn't actually feel or didn't believe.

Even Christoph Waltz's character, Colonel Landa in 'Inglourious Basterds', I never judged him.

His own character is the arbiter of every ones fortune.

Every character that I play, even if it's a homemaker, there is an inherent, innate strength in her - you can find strength in every facet of a female personality. It doesn't just come from the physical strength of a woman.

A conventional ‘success’ story is one where, with each next, the protagonist has more money, more respect, and more possessions. I’d like to suggest an alternative ‘success’ story – one where, with each next, the protagonist is closer to finding that spot where he’s no longer held back by his heart, and he explodes with talent, and his character blossoms, and the gift he has to offer the world is apparent.

Blinded as they are to their true character by self-love, every man is his own first and chiefest flatterer, prepared, therefore, to welcome the flatterer from the outside, who only comes confirming the verdict of the flatterer within.

Sometimes I feel the only way I can get a major publisher interested in mental illness is if I find a character who has bipolar disorder and is also a love-sick vampire attending an English school called Hogwarts. But I'm not giving up.

Winning takes character and intelligence. It is the most important thing you can do because it's a reaffirmation of your character.

I realise that it is fashionable now to dismiss the traditional novel as something of an anachronism, but to me it is still a vital form. Not only does it allow for the kind of full-blown, richly detailed writing that I love . . . but it permits me to operate on many levels and to explore both the inner state of my characters as well as the worlds beyond them.

With Othello, Shakespeare posed this problem of a black man in a white society in the role that he's playing. And Shakespeare gave Othello such dignity - he came not from - as he said - not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character played.

The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play - characters created by writers who have nothing to do with who I am.

You try to get to know your character as best as you can before you start filming - whats written and not written.

Now an extraordinary and helpful fact is that by making Mind the object of our attention, not only does the serenity which is its nature begin to well up of its own accord but its steady unchanging character itself helps spontaneously to repel all disturbing thoughts.

This perhaps was what lay at the root of the hysteria surrounding what came to be known as the Gold Rush: Men desiring a feeling of fortune; the unlucky masses hoping to skin or borrow the luck of others, or the luck of a destination. A seductive notion, and one I thought to be wary of. To me, luck was something you either earned or invented through strength of character. You had to come by it honestly; you could not trick or bluff your way into it.

Here's what I want from a book, what I demand, what I pray for when I take up a novel and begin to read the first sentence: I want everything and nothing less, the full measure of a writer's heart. I want a novel so poetic that I do not have to turn to the standby anthologies of poetry to satisfy that itch for music, for perfection and economy of phrasing, for exactness of tone. Then, too, I want a book so filled with story and character that I read page after page without thinking of food or drink because a writer has possessed me, crazed with an unappeasable thirst to know what happens next.

I am not just my hair; I proved to myself that I am a cast of characters. I'm feeling freer to venture out of the 'look' people know me for.

To find a man's true character, play golf with him.

I've found that the way a person feels about cats-and the way they feel about him or her in return-is usually an excellent gauge by which to measure a person's character

The only way we can be of use to God is to let Him take us through the crooks and crannies of our own characters.

I remember one time that I was filming a scene in whych my character rides through Troy on a chariot. I just looked around at this incredible set thinking 'This is the life'.

Money takes wings. The only thing that endures is character.