Character Quotes - Page 276

As an actor, I usually have to find something to love about my character in order to play her.

MASH offered real characters and everybody identified with them because they had such soul. The humor was intelligent and it always assumed that you had an intellect.

He adorned whatever subject he either spoke or wrote upon, by the most splendid eloquence.

Women of fashion and character--I do not mean absolutely unblemished--are a necessary ingredient in the composition of good company; the attention which they require, and which is always paid them by well-bred men, keeps up politeness, and gives a habit of good-breeding; whereas men, when they live together without the lenitive of women in company, are apt to grow careless, negligent, and rough among one another.

It is hard to say which is the greatest fool: he who tells the whole truth, or he who tells no truth at all. Character is as necessary in business as in trade. No man can deceive often in either.

We just worked hard to not just get things right and authentic, but also to make it consistent and visually right. For instance, there are colours that aren't in the film that would have been there in reality. I think part of the look of the film not only has to do with the way it's shot and lit, but also the lack of certain colours that give it a softness which really suits it because there's more focus on the characters. For instance, there's no yellow at all until we get to Miss Stubbs' flat at the very end.

Take your time and make sure the person who you do intend to have sex with is someone you deeply love and care about, and make sure you get to know them as much as you can, and make sure by having sex you don't compromise your character.

Save the Date' feels like a quiet story about two sisters and the men in their lives, kind of reminiscent of the quieter rom-coms of the 1990s; it's very character-driven and not as wedding-focused.

I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.

I just think there's always room for humanity in acting, one can only hope, so when you bring in the whole life of a person that's playing a character, then surprises happen and are allowed to happen, and so it makes it more interesting.

I like to do movies, because I love becoming different characters, and telling different stories through different eyes, and affecting someone's life in one way or another.

When we look at films, we usually see only the action. Yet it is the decision to act that helps us understand how the character's mind works.

Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.

Dogs have always provided a special kind of love and companionship that I experience only some of the time with humans. They have a strong sense of character and live the way we ought to: dogs never compare you to your sister nor make judgments in her favor. Dogs never know what is coming and so live purely in the moment, savoring the good, doing their best to endure the bad--and they offer up this miraculous example so that we can learn from it.

I've had people appear in my life that have helped me. I had more fun. I approached it thinking how would Jack Nicholson, "How would he do it?" So that's really what I did was I created this Gremlin character. So now people come up and they say 'Oh The Exorcist!'.. and I'm like "Did you see Repossessed?" They say either no or yes or whatever, and I say look at this, have a laugh, and then go back and look at a masterpiece.

The purpose of a short story is ... that the reader shall come away with the satisfactory feeling that a particular insight into human character has been gained, or that his (or her) knowledge of life has been deepened, or that pity, love or sympathy for a human being is awakened.

Now it is characteristic of play that one plays without reason and there must be no reason for it. Play is its own good reason.

Could I see him acting as Warren Beatty directed, and what would that be like? When you see him as those characters, once you get to know him, there is so much of him in them. In fact, I saw so much of him in them that it made me laugh.

I'm such a fan of anime and manga to this day, but I never really like got to know all the characters and everything, so I don't think I'd be able to pick one.

Worse, the bodies of women, minorities, children, disenfranchised bodies (prisoners, so-called nut cases, etc...) and their truths don't "count" as either present and important in society or worth Pulitzer prizes as characters in literature.

I love the Walking Dead, but I dont wanna be an actual prominent character on the show. I just wanna be a zombie.

There's no reason to tweet when you are in the midst of a great moment; they are few and far between. So pay attention to it, as you probably won't see it again. You can always tweet later, if you're lucky enough to be part of history and you think 140 characters can do credit to someone like Martin Luther King or to the speech he made that day.

I like to think of characters in relation to other cinematic characters.

The truth of the matter is this - I never look for films specifically, because ultimately if the fundamentals of the character and the script and the director aren't there, it makes it a moot point.

As an actor, you're constantly searching for that great character. Also, being a history buff and learning about people in our past and amazing things that they've done, I came across a book about Howard Hughes and he was set up as basically, the most multi-dimensional character I could ever come across. Often, people have tried to define him in biographies, but no one seems to be able to categorize him.