Character Quotes - Page 280

You're trying to bring a character to an audience, and tell stories. That's what we're all trying do.

I would much rather read a book about Ty Cobb, who was quite possibly a sociopath. It makes for more interesting copy. Some of the most memorable characters in literature were villains.

Brisk talkers are usually slow thinkers. There is, indeed, no wild beast more to be dreaded than a communicative man having nothing to communicate. If you are civil to the voluble they will abuse your patience; if brusque, your character.

Typically with HBO shows, the ninth episode often winds up being a big one and when lots of exciting stuff happens. And then the tenth one is the more placid, character-based one.

(I)t is simply wrong to confuse cowardice with appeasement. Cowardice is a failing of character. Appeasement is a failure of policy. Stalin appeased Hitler when he signed the Molotov-Ribbentrop Pact. Stalin was an evil character, to be sure. But cowardice really isn't the first word that comes to mind when thinking of Stalin ' that word is “sexy.” I'm kidding, I'm kidding.

Barrie and the wonderful characters he created, Lewis Carroll, even French literature, like Baudelaire or over in the States, Poe, you open those books, you open The Flowers of Evil and begin to read. If it were written today, you'd be absolutely stupefied by the work. It's this incredible period where the work is timeless, ageless. So yeah, I just love all those guys. It's my deep passion in those great 19th century writers.

And then, 'Why is a raven like a writing desk?' Those things just became so important to the character. You realize that the more you read it, if I read the book again today, I'd find 100 other things that I missed last time. It's a constantly changing book.

It really depends on what the screenplay is asking of you, and what your responsibility is to that character. You have the author's intent to deal with, you have the filmmaker's vision, and then you have your own wants, desires and needs for the character. It's collaborative. But I knew, right off the bat, that there was no way to go into some sort of pink-haired, clown-nosed character with Ronald McDonald shoes.

Character is more important than any other leadership trait.

All action is for the sake of some end; and rules of action, it seems natural to suppose, must take their whole character and color from the end to which they are subservient.

Miracles have no claim whatever to the character of historical facts and are wholly invalid as evidence of any revelation.

Much of the character of everyman may be read in his house.

I'm always being asked to play roles or characters that I don't really resemble.

I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.

George Liquor is really the richest character I have. I'm amazed there aren't 365 episodes about him on TV already.

Apology sends the clearest signal that we have the strength of character to reconcile ourselves with the truth.

I begin with an interest in a relationship, a situation, a character.

Like, in general I think people have very complicated reasons for wanting things, and we often have no idea whether we’re actually motivated by altruism or a desire to hook up or a search for answers or what. I always get annoyed when in books or movies characters want clear things for clear reasons, because my experience of humanness is that I always want messy things for messy reasons.

Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening.

Character creates consistency, and if your people know what they can expect from you, they will continue to look to you for leadership.

I'm not one of those actors who likes to analyze things too much, so I trust what the writers are doing with the characters, in order to give them their journey. My job is to come in and try to make those words on the page come alive on camera.

When the Congress first met, Mr. Cushing made a motion that it should be opened with prayer . . . Mr. Samuel Adams arose and said he was no bigot, and could hear a prayer from a gentleman of piety and virtue, who was at the same time a friend to his country. He . . . had heard that Mr. Duche . . . deserved that character and therefore he moved that Mr. Duche . . . might be desired to read prayers to the Congress . . . . After (he read several prayers), Mr. Duche, unexpected to everybody, struck out into an extemporary prayer, which filled the bosom of every man present.

If you cant laugh at your own characters, or shed a tear for them, or even get angry at one of them, no one else will either.

Certain trifling flaws sit as disgracefully on a character of elegance as a ragged button on a court dress.

I am prejudiced in favor of him who, without impudence, can ask boldly. He has faith in humanity, and faith in himself. No one who is not accustomed to giving grandly can ask nobly and with boldness.