Character Quotes - Page 309

My goal has been to be a great character actor.

I really want to be associated with great projects and character driven projects and films. I have to feed my soul, and keep feeling like an artist and keep being challenged.

Every audition is different, but I get incredibly nervous and insecure and worked up for however long I have to prep - that's when I get to spin. But you're not allowed to spin once you enter the room. Doubt really can't enter the room when you're auditioning - unless it's part of the character.

What's the trick to writing a great female character? Make her human.

There are expectations in how you play your character as a black woman, to be sassy and the same kind of feel, as if there are no quirky black women. I struggle with those things constantly, trying to add dimension to my work, and that's the goal, too.

Nearly all men are slaves for the same reason that the Spartans assigned for the servitude of the Persians -- lack of power to pronounce the syllable, "No." To be able to utter that word and live alone, are the only means to preserve one's freedom and one's character.

And there were sort of three toys for boys and three toys for girls. And the boys I can remember was, well, there was a Dan Dare Ray Gun. Dan Dare was a sort of a cartoon character. He was just sort of a - he was like a Battle of Britain fighter pilot, only in space.

When I'm [playing] a character, I can look at it and know it's not me and not be concerned with how it looks.

It was a testament to the resilience of humanity. Give a man a tree and he will make it into a boat; give him a leaf and he will curve it into a cup and drink water from it; give him a rock and he will make a weapon to protect himself and his family. Give a man a small box and a limit of 140 characters to type into it, and he will adapt it to fight an oppressive dictatorship in the Middle East.

I want characters to have voices that feel authentic, unique, honest, fresh and original - all at once. Part of that authenticity is evoking genuine emotion across life - the sadness, passion, love, sense of loss, missed opportunities, and confusion even. All of this helps us realize that our choices do impact the lives that we eventually lead.

For me as a storyteller, I want to follow the characters and the story through what they organically demand.

A Fraternity, too, is of such character that after men have left college they delight to renew their own youth by continued association with it and to bring their richest experiences back to the younger generation in part payment of the debt which they feel themselves owe to the fraternity for what it gave them in their formative years.

Men have, for the most part, done with lamenting their lost faith. Sentimental tears over the happy, simple Christendom of their fathers are a thing of the past. They are proclaiming now their contempt for Christ's character, and their disgust at the very name of love. Scorn and hatred, difference and division, must be more than ever our lot, if we would be the followers of Christ in these days. Conventional religion and polite unbelief are gone forever.

The television commercial is not at all about the character of products to be consumed. It is about the character of the consumers of products. (128)

Gamma rays are the sort of radiation you should avoid. Want proof? Just remember how the comic strip character "The Hulk" became big, green, and ugly.

Typically, when you look for role models, you want someone who has your interests and came from the same background. Well, look how restricting that is. What people should do is take role models a la carte. If there's someone whose character you appreciated, you respect that trait.

Music is so essential to the Cuban character that you can't disentangle it from the history of the nation. the history of Cuban music is one of cultural collisions, of voluntary and forced migrations, of religions and revolutions.

Death stamps the characters and conditions of men for eternity. - As death finds them in this world, so will they be in the next.

Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!

There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it.

Age, habits of business and experience have modified many characters.

In war, character and opinion make more than half of the reality.

Noah Baumbach writing is really wonderful. I think the way he plays out each character with a unique voice is really impressive, and rhythmically his dialogue works.

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up - they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles.

From Ernest Hemingway's stories I learned to listen within my stories for what went unsaid by my characters.