Character Quotes - Page 312

People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman who's twenty-three or twenty-eight?

May God save any country to remain in a position to choose between a genius of bad character and a stupid of good character, because both will bring disaster to that country!

The sisters and brothers that you meet give you the materials which your character uses to build itself. It is said that some people are born great, others achieve it, some have it thrust upon them. In truth, the ways in which your character is built have to do with all three of those. Those around you, those you choose, and those who choose you.

Be kind to yourself. God thinks you're worth his kindness. And he's a good judge of character.

In every human being one or the other of these two instincts is predominant: the active or positive instinct to offer hospitality, the negative or passive instinct to accept it. And either of these instincts is so significant of character that one might as well say that mankind is divisible into two great classes: hosts and guests.

Only people of proven character should be placed in positions of spiritual leadership.

I stress character, character, character.

With James Reese’s vivid and chilling novel, readers will gain a whole new appreciation of two gothic landmarks, Dracula and Jack the Ripper. Not only does The Dracula Dossier grip us with its fast paced hunt for history’s most notorious killer, it also enchants us with sophisticated and lyrical recreations of its unique period and strong characters. A daring achievement.

You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character.

I basically drew my own family. My father's name is Homer. My mother's name is Margaret. I have a sister Lisa and another sister Maggie, so I drew all of them. I was going to name the main character Matt, but I didn't think it would go over well in a pitch meeting, so I changed the name to Bart.

I have less to do with 'The Simpsons' every season, but I stick my nose in here and there. Basically, it's just trying to keep the characters consistent and making sure the show has a soul.

For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.

What is ultimately motivating the character?

For every role, I brought certain elements of the character. Even on White Collar over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.

I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me.

I really saw Pat Brady, Kelsey Grammer's character's point of view that it's a business. It's show business. So, it was an incredible opportunity to work with really wonderful creatives and the script was fantastic. What was so interesting to me about the studio system was that a lot of the politics that were in play then are so really relevant to today.

It's relatively easy to create an ambiguous character. Any conglomeration of likable and unlikeable traits, chosen at random, will result in an ambiguous character. Getting an audience to deeply identify with a character, on the other hand, is one of the hardest things in the world to do.

Eccentricity: strength of character doubling back on itself.

In describing someone's character, I reveal my own.

The air of fashion, which many young people are so eager to attain, always strikes me like the studied attitudes of some modern prints, copied with tasteless servility after the antigue; the soul is left out, and none of the parts are tied together by what may properly be termed character.

Situation seems to be the mould in which men's characters are formed.

In our present high state of civilization, people are so much alike, that anything at all odd comes on one with the freshness and character of an antique coin among smooth shillings.

I was the last one to join the cast of the west Wing and when I started it was just a peripheral character - the focus was to be on the staff, not the First Family. When I did the pilot, my contract was for just three years and it was confined to maybe three or four episodes every season. The only restraint I had was that I could not play another President while the show was on the air. So, I kind of backed into one of the great events of my life and certainly my career.

When I'm happiest writing is just not knowing where it goes and just let the characters bring you there.

I try to always step up to the plate, be professional, be good at what I'm doing and deliver on the character. In Hollywood, what more can you ask for. You want a consummate professional.