Character Quotes - Page 337

I played a lot of sarcastic, wisecracking characters for a long time, and people would think that was me. And it's very much not me, and then people would think I was being sarcastic when I wasn't: 'Oh, you're making fun of me right now.' And I wasn't!

I've had experiences where I wasn't allowed to change words around at all because you have to say everything, exactly as written on the page. That's not fun for me. For me, part of being an actor is being able to contribute to a character's rhythms. If there's room to explore, you find a happy medium.

It is true that social media, nowadays, is important, but I don't understand everyone needing to know everything about an artist or an actor because it loses the intrigue and mystery. And then, when you're watching them as a character, you can't watching them as a character. You can only watch them as the public figure that they have presented themselves to be. I hate when people say, "Well, that's what you signed up for. That's how it is." No its not. That's not what you signed up for.

I think all our characters are an amalgam of people we know in our world and ourselves.

It's always fun to play characters that are different from me.

I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.

It was fun to create characters who had truth to them but were also made up so as not to completely offend!

What really sells a fight, and any kind of action, is the performance of it. If someone is uncomfortable or uncertain about doing action because they're too concerned about their safety or about being right, it pulls them out of being that character, in that situation.

I love the idea of doing comedy, whether it's action comedy or just straight comedy. It's such a big, new world for me that I'm starting to realize that any character that I relate to, in any way, shape or form, or that I have any appreciation for, given enough preparation, I can find that person.

My job as a double was always to put [actors] at ease. My job was to make my character, or the actress that I was doubling, look as badass as possible by being there.

My favorite thing in moviemaking is to shoot in chronological order if at all possible, because it just helps for continuity and all the logistical purposes. It also helps with performance and the journey of each character, but I also think it's good for the director and everyone [else] involved.

My job has always been to not only make my character look like a badass but to also make the actor I am fighting opposite to be the character they need to be too.

A pleasing personality helps you win friends and influence people. Add character to that formula, and keep those friends and maintain that influence.

I'm often asked, Which is more important--attitude or skill? The answer is that it's somewhat like asking which leg of a three-legged stool is most important. It is my complete conviction, based on a considerable amount of research, that if you have the right attitude, combined with the right skills, and build your attitude and your skills on a solid character base, you can enjoy long-lasting success.

When you are constantly hearing offensive words and always have some irritating matter in mind, only then do you have a whetstone for character development. If you hear only what pleases you, and deal only with what thrills you, then you are burying your life in deadly poison.

I always think it's really hard if you are Asian or Chinese to be really in Hollywood. There are not so many really great characters for you.

There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.

A lot of politics plays at the level of myth, and if you understand that, then you feel like you have access to the secret language of politics. People respond to political characters in archetypal ways. A fun game is to think of a politician and ask, "Which god is that? Are they like Aries? Are they like Athena?".

The dynamic character of China's nonstatist economic transformation, including its social openness to the rest of the world, is not mutually compatible in the long run with a relatively closed and bureaucratically rigid Communist dictatorship.

I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.

I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.

I do like Superman as a character, and I have followed him throughout the years.

The truth is these characters [of Batman story] evolve, and there's a lot of hands in the supporting of these characters. It's great when everybody can know where everything came from. It's important for the legacy of them.

So you know when you were work on Man of Steel, in 10 years somebody is going to do the music for Man of Steel, and a different director is going to be doing Man of Steel. That’s the reality. So all you can do is to give it not only your best, but your vision on what this character is, when you become one with that character.

Once you land on who you think the character is and what his conflicts are, you have to let that lead you. You have to throw all that other stuff away and not be worried about this epic responsibility, or it will just crush and paralyze you.