The idea right now - and it may evolve - would be a live-action movie where some of his characters would be animated. To me, this movie is very much about the creative process.
What I find in a creative company is while there is a desire to build a management foundation that can feel clear and consistent, the unique product we're in Illumination Entertainment making doesn't always allow for that. So rather than following management strategy that talks about building your structure and then staffing that structure, I tend to build the structure around the strengths of the individual people we have.
I grew up in a community of theatre, and I always loved musicals. From a young age, the first present I ever wanted was a video camera. For me it was a great outlet to be creative.
Unlike other peoples the United States found their origin in a deliberate act of corporate self-assertion, and ever since the Revolution every little American has been taught to associate himself personally with this creative act.
It's hard for me to figure out where I want to be. But it's definitely in New York. I feel like New York throws different challenges at you and you can be more creative.
Every company, of course, teaches you so much humanly and professionally [about] yourself and your creative process.
At Lacoste, I learned how to drive in a very conservative environment. I had to learn how to do politics, how to talk, how to explain, and how to communicate a vision, and the necessary link between marketing and creative teams. Also, very important, the shop experience, which was actually very frustrating at Lacoste.
People call what we do "stretch music." This is our style, and one of the newer, in vogue ways of playing creative, improvised music. It really grew out of me trying to address something that I saw in my everyday life in my neighborhood - trying to develop that and refine that and excavate exactly what that was in a way that, when I communicated it, it was palpable and easily read. That started really early. Why it started was from something that I was really angry about.
In a creative business, if you're happy, it will come out in your work. I don't see how you can be happy if you don't like the people you're working with and if they aren't a joy to have fun with.
I ain't the first on the list that people are sending scripts to. I'm very lucky. I've managed to put myself in the position with some directors, yes, who will be calling me directly, and we're working on things and talking about things, but that's on a purely creative level. And then you go and have to deal with the financial level.
Music reflects the time that it's being made in, and so certainly, the music that's being made in 1986 by a 14-year-old kid will reflect some magic of 1986 for him if he's an inspired and creative musician.
On these feature films there are people on the staff who can draw 100 times better then I can, and animate better then I can, and light better then I can, write comedy better then I can. I basically am in the middle of kind of a creative typhoon and I'm just kind of talking the film up on to the screen. Minute to minute, meeting by meeting, day by day.
A lot of directors, they're creative, but they're different.
I really loved what I was doing being creative and being funny as a stand-up comedian.
At this point in my life, I like the security of a job, while still having time for my young son and to pursue other creative work.
If you're an actor in your heart, no matter how much money they shove at you, it doesn't matter if the work doesn't provide that creative spark. You want out.
The church is like any large corporation in one respect. In its early days, either the early church or the early years of Microsoft, you see all kinds of creativity, innovation, invention, people have nothing to lose, they're trying to find what works. Then you wake up and you're a vast enterprise, and it's very hard, when you have all kinds of buildings and structures and hierarchy and so on, to hang on to these very creative impulses that helped you get your great success in the first place. As a church we're going to have to figure a way out from under this.
The podcast movement was really a creative survival mechanism for standup comics.
I categorize nerds as creative-obsessive. A lot of nerds are creative people who obsess almost unnaturally over the minutiae of things.
Nerdists, unlike nerds, tend to be creators as much as consumers. They're creative consumers.
The nerdist movement is less about consumers; there is a large contingent that are creative nerdists instead of consumers.
I can act... I do a little writing as well. And I'm good at typing. I'm a creative typist, actually.
Love is at once the most creative and yet simultaneously destructive force in the world, and thus, in our lives. And I don't mean the Hallmark sentimental type of love, although that is part of it. But a deeper obligation that we have to each other: the obligation to reflect our humanness at each other, to reflect back the things others show us and we, them.
I've been creating in some capacity forever. It was always usually painting and drawing, but I've been exploring more video and sculpture in recent years. But they're all kind of the same thing to me, in a way. They're all forms of production and output. As a creative person, sometimes you can't live without creating or producing something.
We should have just killed him, that's a lesson, don't get creative with revenge