Onstage, I enjoy the thrill of live performance - there is no substitute for that rush. On camera I enjoy the crafting of a scene, the widespread creative marksmanship happening all around you for every second of footage. Onstage you can suddenly feel solitary, like it's all on your shoulders, while on camera you feel like there are so many people working with you on every shot. Those are each unique and gratifying challenges.
The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only so much time you can spend on a script before it becomes so rehearsed that your performance becomes rigid and immovable on the day of, so one has to occupy one's time in some fashion. For me, those interim days are usually spent exercising, exploring, learning to cook something edible, and working on my own creative endeavors.
I'm quite happy with the music carrying on. I've never been one to clamor for fame. It just got dumped in my lap. The ambition is definitely not fame. The ambition is to be creative.
My teachers believe that the creative producer's job is to service the vision of the director, to stay within schedule and budget, and to get the studio what they need, but you work for the director to get their vision on the screen. That's not how everyone approaches producing, but it is certainly how directors like you to approach producing. How I was brought up is that my job is to help you make the movie you want to make.
It is true that ADs do not get a chance to get a chance to create or produce, almost never, because it's whole separate thing. Most creative producers you have to come up on the development side, you work with agents, you work with writers, you're in the office and then the AD's are on the set. But it's a real shame because part of - no decision in producing can be made correctly unless you have all the creative information you need but you also have all the budget and scheduling information you need.
I kind of joke with myself that you shouldn't be able to be a creative producer if you weren't a first AD. Because it is such fantastic training for really understanding what everyone does, and how the movie actually gets made. You have to know if you're the first you're kind of the set general, you're at the director's right hand, you know everything about how a director puts a movie together, you know everything about how a movie gets made.
After being in the creative, hermetic state I have been in, coming out has been painful, but it is getting easier.
What drives me is truly inspiring people to realize they can live more creative and simple lives.
I am happy doing standup so I don't ever want to stop doing it. But I wouldn't mind venturing off and doing other things that are creative.
The handwritten pages make for fun giveaways. If someone reviews one of my books online, like on Amazon or Goodreads, they can notify me through my web site, and I'll send them an original page. They can see my creative process in all its scribbly glory.
I kinda went back to that period between '88 and '94 where I felt like I was the most creative, without being hindered by powers that be. I was no longer going to try to hinder myself to what I thought was going to be on the radio.
I have my own dance and production companies, and acting is my creative outlet. It's what I'm passionate about. I've actually created a lifestyle where I could act for free. I could get a job to pay the bills and act on the weekends to make me smile.
You've got to think about how to do things for the right price. You have to shoot in different places to be creative and get tax rebates.
I love being creative, and for me it doesn't matter what it is - whether it's art or music or just daydreaming.
I think there's a certain magic that comes from being creative.
Pain is a part of life. It's certainly part of my creative process.
I take conscious breaks for myself 'cause I like to rejuvenate and get my creative juices flowing. I also like to take my time with my creativity; I think it's important.
Music is a lot more like solving an intricate puzzle with moments of pure, random creative bliss... whereas painting is much more purely random creative bliss with moments of problem solving.
Women are not weaker. Read that again. Women are not weaker. They are just as strong, just as resolute, just as creative, and are filled with just as much potential as any man.
When you have creative people, you have to let them do their thing. You have to resist the urge to be too efficient, you have to resist the urge to work to a certain budget and schedule - other than the fact that things have to end. It's harder work to produce this way but my philosophy is that you have to let it be creatively chaotic and let it find its place. When creative people are on to something, you know it and you have to allow it to happen. You can't set a schedule for that.
If we have come up with a creative decision and somebody comes up with another idea, you do have to get into the depths of it and ask: "Is it a better idea? Or is it a different idea?" That can be hard. But that's the type of conversation the director and I will have, or as part of our creative groups. So with that in mind, it's hard to keep a budget in line. It's like in life, if you've ever built anything for the first time you're usually better at it the second time.
For me with "The Apprentice," it kind of blew out my business brain. I don't really think of myself as a business person. I think of myself more as a creative-type person, but it's quite nice to be challenged physically and mentally.
I've always wanted to be a writer. Always been very creative. I always laughed at things that the rest of my family would sort of get angry, like not understand.
This is a natural evolution, building a complete bath ensemble program and the Joseph Abboud bath brand within the Creative Bath family of licensed programs.
A fool and his money are soon parted. It takes creative tax laws for the rest.
