And even with traditional fashion models, where it's their job to be a certain size and a certain proportion, you have to make adjustments once you see your clothes on a real live person. Now imagine doing that with more sizes, more proportions. You really have to play with every piece. So timing is a big part of it. You have to make the time.
I think I was very young when I became interested in fashion.
I came from a different world from other designers because I already had such a strong fan base that was interested in fashion. You have to give the little divas something.
There would not be so much harm in the giddy following the fashions, if somehow the wise could always set them.
I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage.
I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know Vogue existed when I was growing up. Vogue, what is that?
Obama was 200 percent advertising. I promote myself to sell my brands. Because now I am a kind of celeb. I am in a different world than the fashion industry. I am with Mick Jagger, Michael Jackson, Madonna. I build me as a celebrity.
What if instead of seeing a neighborhood that reminds you of the place you grew up in, you see your actual neighborhood? The data exists. The technology exists. It's just a matter of sourcing it and processing it in a compelling fashion.
All my characters exist in risk, in the places we are either too afraid to go to, or have enough privilege not to have to, but whatever the reason, these characters I fashion go before us and come back transformed for us. For me, at least.
The truth is, everything we know about America, everything Americans come to know about being American, isn't from the news. I live there. We don't go home at the end of the day and think, "Well, I really know who I am now because the Wall Street Journal says that the Stock Exchange closed at this many points." What we know about how to be who we are comes from stories. It comes from the novels, the movies, the fashion magazines. It comes from popular culture.
I combine aspects of fashion, comedy, sculpture, video, painting all kind of in one multimedia sort of curriculum. New York is what gave me that kind of ability or freedom. People come here from all over the world to do something ambitious, and I think New York is really positive in that regard.
The only way to make a criticism of something is to really participate in it. I'm a completely capitalist person. I participate in commodity culture and the fashion world. High art is a money-making vehicle. We're not making art in a vacuum. We're not shopping in the woods. These are all things that we do within the larger system of capitalism. For me to critique it, I'm also participating in it. That's obvious, I feel. In my work, I participate in the things that I critique. I satirize the things that I love and know well and find problematic.
I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.
I hate going to fashion shows. I find them boring.
My mom won't let me buy high-fashion stuff unless it's TK Maxx or a birthday occasion.
Age is not a taboo in the fashion industry. One should learn what to wear to look good at any age.
I'm not really into the fashion thing.
I'm a big Urban Outfitters girl, and Forever 21 - I don't think labels make fashion. I think it's your own style, what you put together.
If you want to have sex with strangers, you have to do it the old fashion way and become a prostitute.
The last time a straight man worked in the fashion industry, we got a fanny pack.
Just watching the people on the streets of NY is inspiring, there are so many styles and unique points of views. Fashion is very much inspired by the streets, has always been and I'm sure it will continue to do so.
The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.
Its time we woke up,” pursued Gerald, still inwardly urged to unfamiliar speech. “Women are pretty much people, seems to me. I know they dress like fools - but who’s to blame for that? We invent all those idiotic hats of theirs, and design their crazy fashions, and what’s more, if a woman is courageous enough to wear common-sense clothes - and shoes - which of us wants to dance with her?
In great cities where people of ability abound, there is always a feverish urge to keep ahead, to set the pace, to adopt each new fashion in thought and theory as well as in dress - or undress.
Sometimes I have the strangest feeling about you. Especially when you are near me as you are now. It feels as though I had a string tied here under my left rib where my heart is, tightly knotted to you in a similar fashion. And when you go to Ireland, with all that distance between us, I am afraid that this cord will be snapped, and I shall bleed inwardly.