Feelings Quotes - Page 229

I love traveling. I love just going about on my own, feeling I have no roots.

One of the more dispiriting things I think about endless touring is hearing the same piece of music over and over again and I end up feeling like a fraud.

I don't really analyze my stuff when I write. I write about stuff that I'm interested in, that I'm feeling at that particular time. When I stand back and look at the complete work, I might see themes that run through the whole film, but I'm not really conscious of it when I'm doing it.

Feeling loves a subdued light.

There's so many singers, you watch them and a lot of it is waving around. You don't get this feeling that they're really thinking about what they're saying.

I'm really interested in fashion but at the same time I find it quite competitive. Second-hand stuff leaves you more open to whatever your own personal style is rather than feeling dictated to by shops.

Moment to moment, I'm very much just feeling and trying to synthesize what I'm taking in so it can come out musically. I'll continue to do that. I'm also someone who really likes to push themselves into new situations with new people and try to learn from them. I will be very happy to continue doing that, if people let me.

I think a fear of portraying something negatively ends up creating more stereotypes. Like a fear of going into these negative feelings that I have had and a lot of women that I've spoken to have had creates these sort of plasticky women.

I think the most important recipe for a good date is just spending time with somebody and really connecting and feeling like the best version of yourself regardless of what you may be doing.

Like the one-tenth of our brain that we currently use, I think now that most if not all of us have access to about one-tenth of our possible feelings.

I'm one of the few people in this world who can do anything I choose. I can't tell you how good I'm feeling.

Women at my age they are making love, they are feeling sensual, they flirt, they have boyfriends, they have a sexual life. They are just not being represented in the movies.

[... Dance] involves every possible feeling (as potential), because it is of the body, which is lived (inescapably) as a body of feeling. Some of these feelings we can name, and some we cannot, since we associate feelings with language only when we name them. The body lives sentience on a preverbal level. Dance exists first on this primordial level, not on an intellectual plane (even though it requires skill and intelligence). Its inmost substance cannot be reasoned, only experienced.

I love that feeling of when it's touching and it makes you happy but there's a melancholy or bittersweet glaze to it.

Demonstration of mastery gives a feeling of power and that feeling of power is a good feeling.

Feelings can't be a part of this game.

As If I could just turn my feelings off like a faucet.

There's something tragic about you. Your feeling for the absolute. You were made to believe in God and spend your life in a convent.' There are too many with that vocation. God would have had to love only me.

Spending too much time focused on others' strengths leaves us feeling weak. Focusing on our own strengths is what, in fact, makes us strong.

I love TV. I love being behind the scenes on a TV show but there's something about, I don't know there's something very special when you've signed an artist and that first record comes in and it's a good record. It is an indescribable feeling.

Increasingly I've come to think that what's at the core of acting is thinking. Most people would say it's feeling.

Politics becomes a part of a writer's working life. The writer's protagonists are born in the context of the feelings that this atmosphere evokes. How can writers separate themselves from these feelings and create protagonists that come from Mars? Even writers who only write about psychological or internal issues or about love are writing under their prevailing atmosphere, and their writings will take on the hue of the time, place, and mood of their environment.

It is one proof of a good education and of true refinement of feeling, to respect antiquity.

With my personal work I prefer not to work from storyboards because being a director, producer and animator in one person I don't have to communicate my idea to anyone else, I can keep the feeling of the story, the story arc and structure in my head.

It is hard to look at the tumor and not come away with the feeling that one has encountered a powerful monster in its infancy