Fear is the loneliest feeling. You can be in a throng of people, but if you're afraid, you're on your own.
Pain is just a feeling, and feelings aren't real.
There's a feeling of immortality you have in youth. You just don't see the dangers around you, or, if you do, maybe you're even excited by them.
Those that pulled my credential were actually doing me a favor. I was given a pass to leave an event that already had me feeling uneasy and uncomfortable in my career choice.
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society .... these are only feelings I have, and I am the least speculative man on earth.
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story
I don't particularly like the idea that there's an arc to the story and that therefore in this scene you have to convey this bit of information or emotion. I like more the feeling that, of course, there is a shape to the story, but that each scene should feel right, should be true at that moment, and that gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that's interesting.
I am sure as I grow older I will understand more about my own feelings and how to put them in a song.
I keep feeling like everyone wants me to apologize for something.
I would far rather add a character who generates strong feelings than someone who just kind of floats along, generating medium-warmth smiles of gentle affirmation.
I shall suggest, on the contrary, that all communication relies, to a noticeable extent on evoking knowledge that we cannot tell, and that all our knowledge of mental processes, like feelings or conscious intellectual activities, is based on a knowledge which we cannot tell.
There's such a high stigma around talking about your feelings or insecurities because, especially for men, we don't want to show that "weakness." But I'm always like, "OK, what would you rather do: Show weakness and get better, or continue to get worse and who knows where that leads?" There's something behind the suicide rate continuing to climb year after year. Why don't we ask for help?
My Albert married his Maisie Brown as he said he would. But I think she never took to me, nor I to her for that matter. Perhaps it was a feeling of mutual jealousy.
I'd feel bad if I had you come into a theater and you leave feeling ripped off.
What I'm trying to do with Thrizzle is create the experience of a humor magazine, even if it's just one person. So that's involved me trying to simulate different styles and create a feeling of some contrast and variation, which is obviously very different from Snake 'N' Bacon.
I love grooves and dance music, but I like the feeling behind songs too.
Listening to a lot of guitar rock and roll music and feeling quite eccentric because everyone expected me to learn and develop like R&B. This kind of made me feel a little bit better, because I realized it was all the same, you know. There's no difference. It's just music.
I don't always do a lot of predicting, but, when I get a really strong feeling about something, I will tell people.
I'm kind of private and I keep things inside a lot, but it's been so wonderful to realize that people care about you in a very deep way and that there is some bond between an actor and his audience. I don't even know how to describe that feeling.
Europe is sort of like the Soviet Union in the '30s and '40s. There was an argument, is it reformable or not? There is a feeling, and I think it's correct, that the European Union, the eurozone, and the euro, is not reformable, as a result of the Lisbon treaties and the other treaties that have created the euro. Europe has to be taken apart in order to be put together not on a right-wing, neoliberal basis, but on a more social basis.
It's fiction's job to express how it feels to be living now, and it's a complex feeling, full of contradiction. To me it often feels like a brutal trivialization of reality.
When you go into a country like Libya where a large chunk of the population wants the old regime back you could end up with a protracted civil war. That we're now in a stalemate was both entirely predictable, and predicted. That we're now relying on drones is disturbing. How vital can a cause be if we're not willing to risk American lives to defend it, and instead use robots and remote control operators? It gets me back to the larger feeling about the intervention - there's just not a compelling reason for us to be involved.
What we're doing for another person is more important than what we're feeling for them.
I feel like I leave every single project feeling like I didn't quite do as good as I wanted to do on it, and I have to just look forward to the next one to try and do better. Because you never quite hit the heights you have in your head for what you're going to do. But you learn something each time, which is important.
I have a passion to make a difference in the world. And that difference can be just making the fans at my show leave with a smile on their face and feeling uplifted.