Feelings Quotes - Page 298

My favorite jewelry, it's just what I'm feeling at the time.

The way I go about making a movie... even the ones that are interview-driven, I go into them not knowing what's going to happen, and feeling my way through.

Always feeling rushed is no way for a prosperity-minded individual to live. The objective of life is not to get through it as fast as possible.

Shooting gives me a good feeling. It is faster than baseball and you are out on one strike.

So far, about morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after.

All the contact I have had with politics has left me feeling as though I had been drinking out of spitoons.

"What for?" I said. "What for, Tante Lou? He treated me the same way he treated her. He wants me to feel guilty, just as he wants her to feel guilty. Well, I'm not feeling guilty, Tante Lou. I didn't put him there. I do everything I know how to do to keep people like him from going there. He's not going to make me feel guilty."

It's a wonderful sort of feeling when people want to spend more time in a world you created.

I realized that I needed to know more about the business side of things. I don't like feeling uneducated about things, and feeling uneducated about my own business felt ridiculous.

I think that's the hardest thing as a woman, feeling like once you reach a certain age, no one wants to look at you or that you're not attractive or sexy anymore. And you start to feel like you're put out to pasture.

Writing music is always really helpful for me. It always reveals to me how I am feeling.

I can't say what my greatest strength between acting and singing is...I'll leave that to the critics. Maybe my best strength is performance itself, being with the audience and feeling what they feel, bouncing off of them.

I like to talk to the crowd on stage. I don't like going to a concert and feeling like the people on stage don't care whether or not I'm there.

Action can give us the feeling of being useful, but only words can give us a sense of weight and purpose.

The unusual thing about doing street poster art - or something with a conscious social critique in it - is that the artist thinks they're a little in control, focusing and trying to make a specific point. But even then, when you look at it a few years later, you realize you were just working through some of the usual feelings you were going through during that time.

You can't shelter it. You can't hide it. You have to let people know what you're going through, what you're feeling, what you think you have that's a problem.

If you're feeling pressure, then you shouldn't be here.

I never set myself too high a goal. It was always tone and feeling, for me.

I've always argue against emotions. You're seeing intimidating threats against anchors by people in the Trump campaign. You see physical violence at rallies, you see a man handling of a reporter, Michelle Fields. You have Trump talking about opening this liberal law - these libel laws to protect feelings. What you're seeing here is kind of a mob mentality.

In fact the a priori reasoning is so entirely satisfactory to me that if the facts won't fit in, why so much the worse for the facts is my feeling.

The most important thing for me is the tone, the feeling, the pace. But why I'm doing this is not very clear to me. It's much more of an instinctual thing than an analytical process.

The next minute or so was spent howling on the ceiling . Imp No.1 joined in, but he wasn't really feeling it. It shouldn't be "Who do we hate?", he thought, it really should be "whom", but this probably wasn't a good time to bring that up.

Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!

Popular journalists resort to the name Nixon to galvanize feelings that remain at rest even when the name Stalin is mentioned.

The challenge of photography is to show the thing photographed so that our feelings are awakened and hidden aspects are revealed to us