I guess when we're happy, it's easier to go with the flow, and when that happiness or joy is interrupted, that's when we get contemplative and break out the guitar or pen and write about it.
I couldn't even have a guitar. But I got a three-track recorder that was so small that I could take it with me. Then I started recording and writing properly. I recorded lots of voices, not just my own. I was interested in people speaking and singing English and trying out words.
If I could play an instrument, it would probably be a cello or an electric guitar.
Music is trying to tell a story, and I love the rock vibe. Hearing that finished product is almost the same high as having a killer wrestling match, you're just doing it with a guitar instead of a partner in the ring.
Where I grew up, I could be a punk rocker and a jock. But in college, it became apparent that those two worlds didn't mix. When I brought my guitar back to school after Thanksgiving break, a friend handed me his bass and said, 'Listen to the Ramones.'
I started writing when I was 17. I got an acoustic guitar for my birthday after I discovered Bob Dylan and James Taylor.
There's a weird period of learning how to play guitar where your fingers are constantly messed up a handful.
There are no rules or certain methods. I usually start with the guitar or piano and sing melodies over the chords. The lyrics seem to be born out of that, and the fact that it's still a mystery to me is my favorite part.
When I was 17 I got a guitar for my birthday and started discovering Bob Dylan and James Taylor and the whole '60s thing, and that made me want to make songs, to go beyond just playing an instrument. I needed to write I guess.
I like to sit in front of the computer, going through files of music, and recording the final vocals, guitars and what- nots. But the windows are always open and you can hear the crickets, birds, chickens, and even the sound of rain hitting the studio. The farm is a great place to hang out in, learn from and create music.
I played for anybody and everybody from the time I started playing guitar, when I was 10 or 11.
I gave guitar lessons. I tried to join bands. My mom always said it was obvious that nothing was going to stop me.
There once was a girl who found herself dead. She peered over the ledge of heaven and saw that back on earth her sister missed her too much, was way too sad, so she crossed some paths that would not have crossed, took some moments in her hand shook them up and spilled them like dice over the living world. It worked. The boy with the guitar collided with her sister. "There you go, Len," she whispered. "The rest is up to you.
All the songs were written on guitar and then put into the computer, where I played around with different sounds I was hearing and what was available in the software.
I made an instrument which I'm really happy about, because I always wanted to have a machine that did this so once I established it as my unique tool, it was like, now I'm going to master it like a guitar.
I'm into playing guitars, not into figuring out what else goes on with them.
I'm learning on the guitar all the time.
I really wanted to get that dynamic on the record onto people and let them know it wasn't just a simple strumming along the guitar type of thing without ramming it down their throats so I kind of went the opposite way and sang some of the songs more quietly which allowed for the louder parts to sound as though there were more. It was the only way singing those songs made sense to me.
I didn't really learn how to play guitar until I was in college.
I really wanted to approach performing live differently than most people who just play guitar and sing.
I don't find the songs; they find me. I just strum my guitar and wait for a lyric to come.
I started putting words together, making rhymes and being witty with the wordplay. I can play a little bit of guitar, and that's something I'm going to dedicate more time to doing.
It's much easier to work on other people's music and play in other people's bands as a guitar player instead of being the main songwriter and singer. That's a really big job to do that.
I've discovered that sheer quantity doesn't necessarily make for a heavier sound; if anything, overdubs make guitars sound mushier.
Since I left Chicago, I'm a lone wolf. I put on the record player and sit and try to play on the guitar. I've got five guitars here and can't play them, but I'm always whompin' around.