Heat Quotes

Declare your jihad on thirteen enemies you cannot see - Egoism, Arrogance, Conceit, Selfishness, Greed, Lust, Intolerance, Anger, Lying, Cheating, Gossiping and Slandering. If you can master and destroy them, then will be ready to fight the enemy you can see.

Every age that has historical status is governed by aristocracies.Aristocracy with the meaning - the best are ruling.Peoples do never govern themselves. That lunacy was concocted by liberalism. Behind its people's sovereignty the slyest cheaters are hiding, who don't want to be recognized.

I'm not upset that you lied to me, I'm upset that from now on I can't believe you.

Do not worry about tricks and cheaters. If some people are trying to trap and hurt you, Allah is also trapping them. Hole diggers will always fall in their holes. No bad remains unpunished, and no good remains without being awarded, so have faith in justice and let the rest be.

Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it.

All action in theatre must have inner justification, be logical, coherent, and real.

If you tell the truth, you don't have to remember anything.

Play well, or play badly, but play truly.

In a theatre it happened that a fire started off stage. The clown came out to tell the audience. They thought it was a joke and applauded. He told them again, and they became still more hilarious. This is the way, I suppose, that the world will be destroyed-amid the universal hilarity of wits and wags who think it is all a joke.

When does a session of The Theatre of the Oppressed end? Never - since the objective is not to close a cycle, to generate a catharsis, or to end a development. On the contrary, its objective is to encourage autonomous activity, to set a process in motion, to stimulate transformative creativity, to change spectators into protagonists. And it is precisely for these reasons that the Theatre of the Oppressed should be the initiator of changes the culmination of which is not the aesthetic phenomenon but real life.

It is not the place of the theatre to show the correct path, but only to offer the means by which all possible paths may be examined.

I can take any empty space and call it a bare stage. A man walks across this empty space, whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.

Anyone can do theater, even actors. And theater can be done everywhere. Even in a theater.

Theatre is the art of looking at ourselves.

Don't expect the theatre to satisfy the habits of its audience, but to change them.

The poetics of the oppressed is essentially the poetics of liberation: the spectator no longer delegates power to the characters either to think or to act in his place. The spectator frees himself; he thinks and acts for himself! Theatre is action!

Silence has a myriad of meanings. In the theater, silence is an absence of words, but never an absence of meaning.

The only way to deal with yourself as an actor is to follow the emotional truth of what you have to do under the imaginary circumstances. And as you develop you become confident. You come to believe in what you're doing and trust it because it's out of you.

Drama is exposure; it is confrontation; it is contradiction and it leads to analysis, construction, recognition and eventually to an awakening of understanding.

I am a citizen of the most beautiful nation on earth, a nation whose laws are harsh yet simple, a nation that never cheats, which is immense and without borders, where life is lived in the present. In this limitless nation, this nation of wind, light, and peace, there is no other ruler besides the sea.

I'll tell you this: you cannot escape the impact of emotion, whether it's in a big theater or a tiny one. If you have it, it inflates you — correction, 'inflates' is not a good word. If you have it, it infects you and the audience. If you don't have it — don't bother; just say the lines as truthfully as you are capable of doing. You can't fake emotion. It immediately exposes the fact that you ain't got it.

Look to your consciences and remember that the theatre of the world is wider than the realm of England.

Unless the theatre can ennoble you, make you a better person, you should flee from it.

An ounce of behavior is worth a pound of words.

The truth of ourselves is the root of our acting.