Moving Quotes - Page 362

Critics of NAFTA and CAFTA warned at the time that the agreements were actually a move toward ... an eventual merging of North America into a border-free area. Proponents of these agreements dismissed this as preposterous and conspiratorial. Now we see that the criticisms appear to be justified.

I think you always hope you can play forever, but you always realize that time will come... I was fortunate I was able to make a decision, move on and do it comfortably.

I've been leading newsrooms for a while now and it's been an honor serving as Editor in Chief of N.J., but I really think that my best shot at moving the needle in politics is by getting close to it - by reading, reporting, tweeting and writing.

But the thing is, from the perspective of a novelist there is a brand of lying that feels more honest than the actual facts of an event. Lying as a way to move closer to the truth, or to illuminate ow something actually feels in a way the mere facts cannot.

The urge to move is natural and understandable. As will be the case throughout your life, no matter how long or brief, the choice is, in the end, yours. Simply bear in mind that most every choice will have consequences, and in this instance those consequences would likely be quite grave.

More times than not, my pain stems from an area in which I've been least authentic. The second I identify the source - the area of my inauthenticity - I begin to feel better. This allows me to take complete responsibility for my emotional discomfort, and the awareness enables me to move beyond the blockage. I become energetically unstuck, allowing the pain to pass through me.

You can't anticipate history. It's only when you look back you see what the Romans did, and what various other empires did, what the British Empire did. We're now beginning to see the long shadow that it created, so one must be hopeful and say that what's going on in Asia, that what's going on in the Middle East, that all these various areas of conflict, that they will pass and move onto another area. But it would seem that the natural order of things is there is this cyclic behavior of destruction followed by a calm period.

It requires greater courage to preserve inner freedom, to move on in one's inward journey into new realms, than to stand defiantly for outer freedom. It is often easier to play the martyr, as it is to be rash in battle. Strange as it sounds, steady, patient growth in freedom is probably the most difficult task of all, requiring the greatest courage. Thus if the term "hero" is used in this discussion at all, it must refer not to the special acts of outstanding persons, but to the heroic element potentially in every man.

If you wander with open eyes and simple curiosity, you'll discover a much richer pleasure - the simple feeling of possibility that hums from every direction as you move from place to place.

When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move; it means that they do not (i)emerge(i), do not (i)leave(i): they are anesthetized and fastened down, like butterflies.

It is as if the Photograph always carries its referent with itself, both affected by the same amorous or funereal immobility, at the very heart of the moving world: they are glued together, limb by limb, like the condemned man and the corpse in certain tortures; or even like those pairs of fish (sharks, I think, according to Michelet) which navigate in convoy, as though united by an eternal coitus.

You see, you cannot draw lines and compartments, and refuse to budge beyond them, sometimes you have to use your failures as stepping stones to success

Typically to get toward a productive outcome in negotiation you have to make the initial move of genuinely exploring someone's model. If you don't, it is unlikely that they will be willing to explore yours. And if you genuinely explore and understand theirs - without judging it - they will be willing to explore yours. Once they reach that point, they are primed to explore the productive combination of both models and won't be as obsessed about trying to make sure their model prevails.

There is a stillness in all of us that is really the essence of who we are. A stillness and a silence that doesn't move, that doesn't go anywhere and our task is to experience that while being in time.

We have a lot of respect and love for Bruschi. But he's gone. That's unfortunate for us, but we have to move on. Just like if I got injured they'd have to move on without me. That's just part of the game. That's reality.

I came from a real tough neighborhood. On my street, the kids take hubcaps - from moving cars.

Fear is what inhibits us moving forward.

So don't stop moving forward. For a while, you may feel as though you're taking two steps forward, one step back. And there may be some personal heartache along the way. But when you look your little ones in the eye, you will find your voice and take a stand for them. We are their voices. And we must have the courage to stand up for them, whatever the odds or however powerful the opposition might be.

O truly enjoy... [a university], the individual-student or faculty-must harbor a well-calibrated sense of annoyance at the institution, entering into a muted adversarial relationship...both in order to move the institution just that little bit away from what is was to what it could become, and also to assure at least the sense if not the reality of independence.

Nor did I need anyone's pity, but I would accept it with grace, because I have been well trained. Rudeness was a sign of weakness. Grace stemmed from power, the powere to accept anything and move on.

The first move of leadership is learning to think for yourself.

It's been said that as we move through life, we have to juggle a number of different balls. Some balls, like the one that represents career, are made of rubber. If we drop them, they have the ability to bounce back. But some balls are made of glass - family is like that. If you drop that ball, it doesn't come back.

We all have that moment in life when something terrible happens for the first time. Something so unexpected, so awful, that it takes the magic out of the world. Life becomes harder, colder. And everything we do in our lives, from that day on, is our way of coping with that one moment. We stop living and we merely exist. We either choose to move on from that, or we let it consume us.

One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper.

I like to see things start, grow, and then move on to better things.