Moving Quotes - Page 478

Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take.

As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.

I made a decision at some point to live a nontraditional life. I've become like, the opposite of a consumer. I just want freedom. I don't want stuff. I don't want clutter. I just want to be able to move freely. I want to be good to the people I love. But I don't want stuff. I just want, you know, love and big ideas.

I always wanted to make motion pictures, ever since I was a wee boy, and I was 32, and time was marching on. I met a guy who said, 'Come out to Hollywood for 10 days, and I'll get you a deal.' So I figured, 'OK, 10 days.' On the 10th day, he got me a development deal with Disney, not for a lot of money, but it allowed me to make the move.

I think sometimes that people think brave means not being afraid, which of course it doesn't mean that at all. It means that you're afraid, but you move past that and do it anyway, do what you think is right.

I learned to pick up each piece, one at a time, from my pile of potential matches and try to fit it from any angle into the socket, then discard it and move on. Each failure is meaningless. It's not me, it's the pieces, and I have to, absolutely must, try each and every piece every possible way until I find one that fits. They aren't failures, they're steps, small bits of progress.

Cardboard cutouts of cheerleaders operated by arthritic monkeys would move more fluidly.

It's the horsey-shape piece that moves in an L shape. It's what makes chess complicated, and why stupid people can't play chess. Go play checkers! Knights are the first piece you look at. They elevate the game. No chess master wants to lose her knights.

Sometimes there are four or five cameras in front of your face moving all over the place, and you have to try to see the person in between the cameras, and a sane person would go, "I can't do this."

Especially now, the immigrant problem is very dramatic around the world. Because we don't know what to do with them. They're in economic crisis, and there are more and more. There will be more and more. We speak about globalization of economy, but it's also globalization for immigration. Millions of people, they're willing to have a better life. A better life, they cannot have it where they live, so they move.

Of course there is sometimes a price to pay. While I was busy painting, not only was my light dissipating quickly, but the fog had crept in slowly at the same time. When I lifted my eyes from the panel, I realized that I had better get a move on - and quickly.

I sit in the Senate, and see what Republicans are often advocating, it's those kind of tax loopholes for the richest of the rich or, frankly, for corporations and giving incentives for them to move jobs and opportunity overseas.

Art is fast, but with art you're tied down. That's too negative. What I mean is, you have a business and a place that you go every day. I guess some artists do move around.

When you think of 244 years of slavery and 81 years of that finally you are going to be allowed to be part of the pool from which people choose jobs. That's not a substantive kind of move, but it was very important.

When black America is on the move, America is on the move.

I want to be a jazzman until the day I die. To help keep that motion, momentum and movement going, for myself, for my students, for the people who hear me. Oh sure, some days you look around at this country and look at the evidence and think, Oh Lord, don't look good. But you keep moving. You gotta keep moving.

I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration... "Joy and Pain" - sit side by side. The blues started off in some field, in some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.

If the churches don't move, much of the community won't move. We've got a situation in which a black church is still a major institution in the black community where 55 percent of the black folk attend and over 75 pass through its doors.

I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration - joy and pain - sit side by side.

And so the question becomes, what you do in the meantime? And you go - if you're forever on the move, especially in the life of the mind; forever reading veraciously, writing, speaking, lecturing, trying to unsettle minds, trying to touch souls, trying to encourage and inspire, on the one hand, but also trying to unhouse and unnerve people, so that they have to reexamine themselves, society and the world on the others. There's tremendous joy in it.

There's a difference between just gaining access to a commodity as opposed to a spirit that allows us to live a life of love and justice, that when crisis and catastrophe hits you, that the biggest mansion in the world is not going to help you. If you don't have anybody who loves you, if you don't have any God who cares for you, that you're not going to have what it takes to move to the next stage in your life.

There was a whole batch of mc's that came out with me and a lot of them got more exposure than me but now a lot of them are out of the game, I'm still here, I'm a survivor so that's what makes me move the way I move.

She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.

I've tried to move on with my life and my career for the last two years and do my own thing, and 'American Idol' and FOX, they've just been making it really tough for me to do that.

This is basically the last resort. I've been painted into a corner, and now I've sort of got to lay it all out in order for things to be straightened up. I've tried to move on with my life and my career for the last two years and do my own thing, and 'American Idol' and FOX, they've just been making it really tough for me to do that. So in order for me to get through all the red tape and just allow people to just get at my talent, I've got to set the record straight. And you can't set half the record straight; when you tell it, you've got to tell it all.