Scene Quotes - Page 13

I'm, like, y'know, I didn't have a problem doing one scene in Dude, Where's My Car? I'm certainly not going to have a problem doing one scene in a [Martin] Scorsese movie!

There's a word the teabaggers have wanted to use since Obama came on the scene, but they can't because it's not the 1950s. They would love to say this word. It begins with an N and ends with -er, and it's not "nation-builder."

In every relationship, sooner or later, there is a court scene. Accusations, counter-accusations, a trial, a verdict.

So cute how you called out for Damen after conjuring that chaste little love scene in your head.

I loved, loved, loved the fight that I got to do with Matthew Bomer, who plays Bryce, when we did the fight scene that was back to back in the Buy More.

I'm too sensitive. I could not show up to a murder scene and do anything like that. It would break me instantly.

In books they don't have deleted scenes, like with DVDs. You could have your deleted scene in a book as well!

The political scene is already so turgid, it doesn't need more of that from me.

When I direct and have to look at filmed scenes of myself, I suck.

Believe then, if you please, that I can do strange things. [Act 5, Scene 2]

Assure thee, if I do vow a friendship, I'll perform it to the last article." --Othello, Act III, Scene iii

A scene is never completed, but simply abandoned when the search for perfection is no longer producing positive results.

I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.

Heaven blazing into the head: Tragedy wrought to its uttermost. Though Hamlet rambles and Lear rages And all the drop-scenes drop at once Upon a hundred thousand stages It cannot grow by an inch or an ounce.

Trust is always a factor. You've just got to look at the big picture, and you've got to look at the small picture - the small picture in the sense that you've got to make every scene work and you've got to deal with what people are presenting you with, too.

No scene of mortal life but teems with mortal woe.

The private citizen today has come to feel rather like a deaf spectator in the back row, who ought to keep his mind on the mystery off there, but cannot quite manage to keep awake. He knows he is somehow affected by what is going on. Rules and regulations continually, taxes annually and wars occasionally remind him that he is being swept along by great drifts of circumstance. Yet these public affairs are in no convincing way his affairs. They are for the most part invisible. They are managed, if they are managed at all, at distant centers, from behind the scenes, by unnamed powers.

Dialogue comes naturally to me and I can hear the characters' voices in the scenes.

The subject matter... is not that collection of solid, static objects extended in space but the life that is lived in the scene that it composes.

Each character has their own challenges. The challenge to doing one scene is your whole history of who you are and your relationships, you only have this one shot.

It was hard, that confrontation scene [in "Fences"], that was a hard one. I felt like it was relentless, I never felt like I could just drop the ball when the coverage was on him or anything else.

La Haine - first of all, it was the story of friendship. I was very close with Mathieu Kassovitz; he was somebody I met in the nights of Paris. And the hip-hop scene and all that... You know, it was very much about doing our own thing, and some of the subject matter was so close to what we knew and the people we were hanging out with.

Nothing in Death Hunt makes a great deal of sense, though the scenery is rugged and the snowscapes beautiful.

I love making movies and hope to write my own screenplay someday and do some producing and be behind-the-scenes as well.

Then I did one fight scene, and they said it looked good. Because I did it well enough, they've given me more.