Song Quotes - Page 127

The kind of vocal exaggeration that I developed was based on what key songs were in.

I don't want to scream 'Immigrant Song' every night for the rest of my life, and I'm not sure I could.

And there are certain songs that are really timepieces and shouldn't be touched. But some of them are a celebration of good humour and sensibility and I think that's okay. I don't care about the past, I'm a musician with ambition.

When loud by landside streamlets gush, And clear in the greenwood quires the thrush, With sun on the meadows And songs in the shadows Comes again to me The gift of the tongues of the lea, The gift of the tongues of meadows. So when the earth is alive with gods, And the lusty ploughman breaks the sod, And the grass sings in the meadows, And the flowers smile in the shadows, Sits my heart at ease, Hearing the song of the leas, Singing the songs of the meadows.

River gonna take me, Sing me sweet and sleepy, Sing me sweet and sleepy all the way back home, It's a far gone lullaby sung many years ago Mama, Mama, many worlds I've come since I first left home

I do not see how it is possible for an intelligent human being to conclude that the Song of Solomon is the work of God, and that the tragedy of Lear was the work of an uninspired man.

"Cannonball Adderley said, 'First 20 minutes we'll jazz out, then the last hour it's gonna be songs that people paid to see.' Which is why he was driving a Rolls-Royce."

The invention of Bob Dylan with his guitar belongs in its way to the same kind of tradition of something meant to be heard, as the songs of Homer.

That old rock and roll song, "looking for love in all the wrong places," it's true.

Pippa's Song The year's at the spring The day's at the morn Morning's at seven, The Hill side's dew-pearled The lark's on the wing The snail's on the thorn God's in his heaven- All's right with the world

That's the wise thrush; he sings each song twice over, lest you should think he never could recapture the first fine careless rapture!

The longer one is alone, the easier it is to hear the song of the earth.

When you stick a song on a tape, you set it free.

I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.

You can tell an honest artist from one who's just given all their songs.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

I always thought I wrote good bridges. I was a bit more impressed with the bridges I wrote than maybe the songs I wrote.

Thinking about what songs are coming next instead of just relaxing, breathing and playing from my heart. Sometimes it can get to be almost like the enemy.

As the writer, you're always a presence in the song. If you get close to what human beings are like, you're writing about common experience. We all do much the same things, so if you nail somebody, then you've also nailed yourself.

It's fun to sing sad songs. And it's fun to listen to sad songs. Enjoyable. Satisfying. Something.

I think it's absolutely possible to write a song and go somewhere where no one's been before, uncharted territory. In terms of content, I see limitations where there should be none. I know there are things I wouldn't write about, but that shouldn't be the case. You should be able to make a song out of anything, out of any situation.

We are all treading the vanishing road of a song in the air, the vanishing road of the spring flowers and the winter snows, the vanishing roads of the winds and the streams, the vanishing road of beloved faces.

For 't is always fair weather When good fellows get together With a stein on the table and a good song ringing clear.

If you take text and image and you put them together, the multiple readings that are possible in either poetry or in something visual are reduced to one specific reading. By putting the two together, you limit the possibilities. Text and image don't always work together in the way music and song lyrics become part of each other.

As an example, there is a Japanese composer / singer whose name is Tanimura [Shinji]: he has composed a song entitled entitled "Kazeno Komoriuta" and I have recorded my piano adaptation of this song and honestly I couldn't expect that it would be so difficult and challenging for me to perform my piano version of this beautiful song.