In an endless silence even screams sound silent.
In every sound, the hidden silence sleeps.
Looping isn't an effect: it's your playing, only more of it and, if you hang with it, it'll uncover previously hidden facets from the body of your music. Remember: the original source of any loop is whatever your sound is, at the moment of input.
Traveling all around the world, music sounds different.
I know it sounds stupid, but we're just playing. We're playing hard, but we're just playing.
I never really know what I'm playing. I just follow what sounds good in my head and keep going.
There is no worse sound in the world than someone who cannot play the violin but insists on doing so anyway.
I walk with God, and He protects me. That may very well be true. I don't mean to make that sound like a joke, in case He is in charge.
When you are not near me, I make the sound of one hand clapping.
Moving pictures need sound as much as Beethoven symphonies need lyrics.
When you draw, you copy the world don't you? You remake it on paper, but it isn't the same. It's yours. No one else could have created it just like that. When I make poems, I use the words we all use, but the order and the sound create a new power. This wood is someone's creation. We stumble through it's tendrils, as if we're crawling through the synapses of his mind.
These new bands sound like Gang of Four — if Gang of Four sucked.
I think in general, lines are a bad idea. Especially if they sound like lines. Everyone's immediate reaction is to just kind of cringe a little bit.
It is trust, but it is also courage - that you can leave an individual to his own devices and say "explore and experiment" and think, "It's okay, I'll see what it sounds like when I come back."
My basic approach to interviewing is to ask the basic questions that might even sound naive, or not intellectual. Sometimes when you ask the simple questions like 'Who are you?' or 'What do you do?' you learn the most.
Friend is a very small word, A little sound we make, For one who is true, one who will do, Great deeds for friendship's sake.
I have these headphones, which pretty much exclude everything else so that you can really completely control the sound that you're hearing. I don't use them very much, I have to say. I very rarely listen on headphones.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
You can realign people's physical chemistry with sound.
There is a mighty big difference between good sound reasons and reasons that sound good.
The [Libyan] rebels this week kind of hinted to the United States that they could use a little help. Right. Like, America would just blunder around the Middle East killing people without all the facts. That doesn't sound like the America I know.
My favorite record of all time is Fleetwood Mac's Tusk. It's made up of a bunch of songs that don't really sound the same, but they all go really well together.
When I pull out vinyl - which isn't that often anymore - it's undeniable that I get a different feeling. There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer.
I remember when I was 5 living on Pulaski Street in Brooklyn, the hallway of our building had a brass banister and a great sound, a great echo system. I used to sing in the hallway.
I have read that the ancients, when they had produced a sound, used to modulate it, heightening and lowering its pitch without departing from the rules of harmony. So must the artist do in working at the nude.