Teenager Quotes - Page 34

Whereas when I was a teenager, other teenagers didn't want anything to do with me. It was even like that in college to a degree. People of that age don't want anything to do with their childhood, because they had put away childish things, and they're trying to distance themselves.

After school, I went to Damascus to study law and history, which I didn't really like. I didn't like history, in particular. In Syria, the regime was trying to present to us a distorted version of the past. Assad was shown as the father of history. So I decided to shift to film, which was something I had always loved as a teenager.

I don't have kids, but I've often noticed when people first become parents they seem to completely forget their own adolescence and they start to, as their kids become teenagers, try to do the things that didn't stop them themselves. And I jokingly frame this as: Your brain gets wiped of those memories when you become a parent.

Teenagers want to be able to fight for what's right - but finding out what's right is now 90 percent of the battle.

As teenagers, we all see ourselves as outsiders... and it's very easy to look at other people who are more popular, who have more pocket money, and it makes you feel even more like an outsider, and it does shape who you become as a person.

I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.

Material Girls was so different for me, I'd never done a teen movie.

I don't keep a journal anymore. I did when I was a teenager, but now because I write about it all in my songs, that's what I'm really doing.

I'm very interested in talking about children in this moment where you are going to become a teenager, and I think it's very relevant to use a fairy tale to talk about that.

When I wrote Wakolda at first I wasn't conscious that I was writing about something so close to or that had so many similar elements with XXY. It was just after I was done writing that I noticed it. I think both teenagers in each film have many similarities, and Mengele is the extreme version of the plastic surgeon in XXY. Both stories definitely have several ideas connecting them.

I don't think of myself as a folk singer per se, but I really like blues and string-band music. When I started listening to records when I was a teenager, the folk boom was going on.

Surely that was why faith had been invented: to raise teenagers without dying. Although of course it was also why death was invented: to escape teenagers altogether.

I've been writing for myself since I was a teenager - I got into top-lining for some other artists/producers, but the focus was always on my own stuff.

At first I was thinking of it as superheroes who happened to be teenagers. Then I realized, no, I'm writing about teenagers who happen to be superheroes. Thinking like that changed everything for me. I started approaching the stories through the characters' core emotions, rather than leading with the superpowers.

The sight of a sullen teenager is common no matter where you go. Teenagers want things so powerfully and can never seen to get them, and to add insult to injury, people make light of your feelings because you are a teenager. They say time will mend a broken heart and they're often right. But not where my feelings for Hardy were concerned.

She read it again. It was fascinating and surreal, like reading a diary that had been hers when she was a teenager, secret and heartfelt words written by a girl she only vaguely remembered. She wished she'd written more. Her words mad her feel sad and proud, powerful and relieved." p 272

The messaging campaign that stigmatized the term feminist definitely worked on me when I was a teenager. I always believed in equality, but there's such intense pressure to be cool and not alienate boys, to not be a pain in the ass  -  to not be "that kind of woman."

As a teenager, even as a younger girl, I had some depression but no one really noticed that it was depression nor did I know in those days that that's what it was but I did feel different from other people.

For every teenager there are issues that make finding it hard. These girls are totally unique and totally like every teenager everywhere - in the world. They illuminate, beautifully, the universal search for identity that we all have. I hope that people come away from the film with a better understanding of themselves, and compassion for others.

I made a film about adolescence and what going through it is like for a specific group of girls. Adolescence is always about wanting desperately to be individuals, and also about wanting desperately to fit in. For every teenager it's about finding that balance.

I was like most teenagers. I wanted to look more conventional - you know, to just be the pretty girl in school.

There was Kir, red hair combed back and That Expression on his sharp face. Even his freckles looked serious. I'd given up wondering how a freckle-faced teenager could look so much like a disapproving granny.

As a teenager in Brooklyn Quentin had often imagined himself engaged in martial heroics, but after this he knew, as a cold immutable fact, that he would do anything necessary, sacrificing whatever or whomever he had to, to avoid risking exposure to physical violence. Shame never came into it. He embraced his new identity as a coward. He would run in the other direction. He would lie down and cry and put his arms over his head or play dead. It didn't matter what he had to do, he would do it and be glad.

A university is a college with a stadium seating over 40,000.

I was an actor when I was a teenager and it could have been the direction that I headed in. But music and my relationship with music is quite deep, and it really is the nucleus of my creativity. So I gave up acting so I could pursue music fully, and I never thought about really going back. And then [director] Lee Daniels met me and wanted to work with me, and that's how it started.