Writing Quotes - Page 214

When I read a book, I put in all the imagination I can, so that it is almost like writing the book as well as reading it - or rather, it is like living it. It makes reading so much more exciting, but I don't suppose many people try to do it.

Soberity makes me write dull songs about reorganizing the knick knacks in my house.

The desire to write grows with writing.

Stories heal us because we become whole through them. In the process of writing, of discovering our story, we restore those parts of ourselves that have been scattered, hidden, suppressed, denied, distorted, forbidden, and we come to understand that stories heal.

Embrace the melancholic voice completely in the drafting stages, to explore it for all it's worth. Then, in revision, privilege craft over pure feeling. Write the work that someone besides you will want to read.

I've maintained old friendships, like with people I knew in the nineteen-seventies, but have lost the knack for meeting new people. This has a lot to do with my writing schedule. I don't want to be disturbed, and the willingness to be disturbed is, I think, part of being a good friend.

Never write more than two pages on any subject.

I've long come to the conclusion that when people say they can't put a book down, they don't mean they're interested in what's happening next; they mean they are so mesmerised by the writer's voice and the relationship that has been established that they don't want to break that. That's what I feel when I read, and I'm sure now that that's what's going on in the relationship between the reader and the writing.

Ideas are floating like fish. Desire for an idea is like a bait on a hook. If you desire an idea, it pulls and it makes a kind of a bait. Ideas will come swimming up. And you don't know them until they enter the conscious mind. And then bingo! There it is! You know it instantly. And then more come in. If you go fishing for ideas, a lot of ideas will just pop in. And one of them will make you fall in love.

Style is the art of getting yourself out of the way, not putting yourself in it.

Writing with you is the only thing that keeps me alive.

Largely I write from life. ... I write from what happens to me. Mostly about love. People notice the other stuff more but I write mostly about love.

Writing will be like a journey, every word a footstep that takes me further into undiscovered land.

Art and writing come from somewhere down around the lizard brain. It's a much more peculiar activity than we like to think it is. The problems arise when we try to domesticate the practice, to pretend that it's a normal human activity and that "everybody's creative." They're not.

Fifty Shades Of Grey proved you can write about a dude choking women and shoving stuff up their butts but heaven forbid if you tell a legitimate joke about it. Sure I doubled the number of feminists who hate me, but I also doubled the number of shows I have on TV. No regrets.

The power of language, it seems to me, is the only kind of power a writer is entitled to.

The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.

Well, I started writing songs about three years ago when I learned to play the guitar, but I've been singing since I was eleven.

Genius is the art of taking pains

I don't try to approach things any differently, songwriting-wise, regardless of what I'm doing. I try to write whatever the best thing is that I'm doing that day. If I'm working on a pop song, I'm working on a pop song to the best of my ability. If I'm working on a bluegrass song, it's the same thing. They're not really different parts of the brain.

I can write with authority only about what I know well, which means that I end up using surface details of my own life in my fiction.

I don't think screenwriting is therapeutic. It's actually really, really hard for me. It's not an enjoyable process.

If I come across an issue, or something I feel strongly about, and I happen to think of a song that would go in that direction, then I do it. But that's not what I start out, necessarily, to do. Sometimes I may have an idea for a song - "Well, I'm going to write about a thing.

Unless I write every day, I don't feel I deserve my dinner.

I don't work on my Sabbath. I write five-and-a-half or six days a week.