Angela Carter Quotes - Page 5

The one-eyed man will be King in the country of the blind only if he arrives there in full possession of his partial faculties--that is, providing he is perfectly aware of the precise nature of sight and does not confuse it with second sightnor with madness.

Stars on our door, stars in our eyes, stars exploding in the bits of our brains where the common sense should have been

Irish was a man of parts even if some of them didn't work too well.

Not for Moorcock the painful, infrequent excretion of dry little novels like so many rabbit pellets; his is the grand, messy fluxitself, in all its heroic vulgarity, its unquenchable optimism, its enthusiasm for the inexhaustible variousness of things.

The notion of a universality of human experience is a confidence trick and the notion of a universality of female experience is a clever confidence trick.

I think the adjective post-modernist really means mannerist. Books about books is fun but frivolous.

You were the living image of the entire Platonic shadow show, an illusion that could fill my emptiness with marvellous, imaginary things as long as, just as long as, the movie lasted, and then all would all vanish.

we must not blame our poor symbols if they take forms that seem trivial to us, or absurd, ... however paltry they may be; the nature of our life alone has determined their forms.

One day, Annabel saw the sun and moon in the sky at the same time. The sight filled her with a terror which entirely consumed her and did not leave her until the night closed in catastrophe for she had no instinct for self-preservation if she was confronted by ambiguities.

It is, perhaps, a better thing to be valued only as an object of passion than never to be valued at all.

He is the intermediary between us, his audience, the living, and they, the dolls, the undead, who cannot live at all and yet who mimic the living in every detail since, though they cannot speak or weep, still they project those signals of signification we instantly recognize as language.

Your thin white face, chérie; he said, as if he saw it for the first time. Your thin white face, with its promise of debauchery only a connoisseur could detect.

And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders; I shrugged the drops off my beautiful fur.

Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.

When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

He is, I think, already pondering a magisterial project: that of buggering the English language, the ultimate revenge of the colonialised.

The lovely Hazard girls', they used to call them. Huh. Lovely is as lovely does; if they looked like what they behave like, they'd frighten little children.

There are lots of things that you can brush under the carpet about yourself until you're faced with somebody whose needs won't be put off.

My mother learned that she was carrying me at about the same time the Second World War was declared; with the family talent for magic realism, she once told me she had been to the doctor's on the very day.

With that, the poignant charm vanished. Inside the fifth machine, all was rampant malignity. Deformed flowers thrust monstrous horned tusks and trumpets ending in blaring teeth through the crimson walls, rending them; the ravenous garden slavered over its prey and every brick was shown in the act of falling. Amid the violence of this transformation, the oblivion of the embrace went on. The awakened girl, in all her youthful loveliness, still clasped in the arms of a lover from whom all the flesh had fallen. He was a grinning skeleton.

Why do you do up your hair in those tortured plaits, now, Melanie? Why? Because, she said. You know that's no answer. You're spoiling your pretty looks, pet. Come here. She did not move. He ground out his cigarette on the window-ledge and laughed. Come here, he said again, softly. So she went.

He was prepared to die for it, as one of Baudelaire's dandies might have been prepared to kill himself in order to preserve himself in the condition of a work of art, for he wanted to make this experience a masterpiece of experience which absolutely transcended the everyday. And this would annihilate the effects of the cruel drug, boredom, to which he was addicted although, perhaps, the element of boredom which is implicit in an affair so isolated from the real world was its principle appeal for him.

The bed is now as public as the dinner table and governed by the same rules of formal confrontation.

My paternal grandmother would not light a fire on the Sabbath and piled all Sunday's washing-up in a bucket, to be dealt with on Monday morning, because the Sabbath was a day of rest--a practice that made my paternal grandfather, the village atheist, as mad as fire. Nevertheless, he willed five quid to the minister, just to be on the safe side.

Sade has a curious ability to render every aspect of sexuality suspect, so that we see how the chaste kiss of the sentimental lover differs only in degree from the vampirish love-bite that draws blood, we understand that a disinterested caress is only quantitatively different from a disinterested flogging.