Bill Watterson Quotes - Page 13

For me, it's been liberating to put myself in the mind of a fictitious six year-old each day, and rediscover my own curiosity. I've been amazed at how one idea leads to others if I allow my mind to play and wander.

Hey Dad, will you buy me a flame thrower? Of course not. Don't be silly. Even if I didn't use it in the house?

S...For Stupendous! T...For Tiger, ferocity of! U...For Underwear, Red! P...For Power, Incredible! E...For excellent physique! N...For...Um...Something..Hm, well, I'll come back to that... D...For Determination! U...For...Wait, How do you spell this? Is it "I"??

Hee hee hee! You should've seen the look on your face!" "If mom and dad cared about me at all, they'd buy me some infra-red nighttime vision goggles.

[Calvin, who has the chicken pox, calls Susie on the telephone.] Susie: Hello? Calvin: Hi, Susie! It's me, Calvin! I was wondering if you'd like to come over and play. Susie: Why, sure! Boy, I don't think you've ever invited me to... Calvin's Mom: Calvin, what are you doing? Calvin: Nothing, Mom. Go away. Calvin's Mom: You're contagious! You can't have anyone over to play! Calvin: Shhhh! Shhhh! You'll spoil the whole thing! I was going to trick Susie into catching... HEY! OW! LET GO! Susie: [Hanging up the phone] Any chance of getting transferred, Dad?

Ms. Wormwood: Calvin, can you tell us what Lewis and Clark did? Calvin: No, but I can recite the secret superhero origin of each member of Captain Napalm's Thermonuclear League of Liberty. Ms. Wormwood: See me after class, Calvin. Calvin: [retrospectively] I'm not dumb. I just have a command of thoroughly useless information.

Leave it to a girl to take the fun out of sex discrimination.

In a comic strip, you can suggest motion and time, but it's very crude compared to what an animator can do. I have a real awe for good animation.

Books are almost always better than the movies made from them, because there are things books do well and things movies do well, but usually those things don't overlap: the same with comics and animation.

Animation, by necessity, is a team sport, and the fewer people with input into my work, the better I like it.

I wasn't having any luck getting accepted anyway and it forced me to re-examine what it was that I really wanted to do. In my experience in political cartooning, I was never one of those people who read the headlines and foams at the mouth with rabid opinion that I've just got to get down on paper.

I think the experience forced me to consider how interested I was in political cartooning. After I was fired, I applied to other papers but political cartooning, like all cartooning, is a very tough field to break into. Newspapers are very reluctant to hire their own cartoonists when they can get Oliphant or MacNelly through syndication for a twentieth of the price.

Cincinnati at that time was also beginning to realize it had major cartooning talent in Jim Borgman, at the city's other paper, and I didn't benefit from the comparison.His footsteps seemed like good ones to follow, so I cultivated an interest in politics, and Borgman helped me a lot in learning how to construct an editorial cartoon. Neither of us dreamed I'd end up in the same town on the opposite paper.

My guess is that the editor [Cincinnati Post] wanted his own Jeff MacNelly (a Pulitzer winner at 24), and I didn't live up to his expectations. My Cincinnati days were pretty Kafkaesque.

I was offered a job at the Cincinnati Post as their editorial cartoonist in a trial six month arrangement. The agreement was that they could fire me or I could quit with no questions asked if things didn't work out during the first few months. Sure enough, things didn't work out, and they fired me, no questions asked.

I chose to tell the story visually, so that anyone of any age, from any country, could understand it.

I always think of "Popeye" and "Barney Google" as quintessential comic strips in that old rollicky, slapstick way we've sort of lost.

I guess I just don't have the killer instinct that I think makes a great political cartoonist.

I still read newspaper comics, but without much hope for their future.

Too often cartoonists just look at other cartoonists and, after a lot of inbreeding, everyone has the same funny look. The challenge of drawing is that there is no one right way to visually describe something. It's a good thing to confront your limitations and preconceptions every so often.

I'm a misunderstood genius.

I played in rock bands in college and then right out of college I moved over to Europe and lived in Ireland for about four years playing in indie rock bands. I love and miss being in a band, I still am in a band but pursuing that as a career I definitely missed it but I felt like that ship had sailed.

Cleveland is a really hard place, it's a very creative place, it feeds you creatively, but it's a very hard place to make a living creatively.

I've always been a huge fan of fantasy and adventure, putting yourself in someone else's shoes, I'm sure that's why I'm an actor. It's why I played with action figures as a kid, that's why I wrote and drew and read comics as a kid.

I have enough friends who are gamers. I actually enjoy watching them play because of the visuals and the storytelling of the games. I just love being able to go on an adventure and games are just so sophisticated now that you can just get lost in a world for 20 hours and just be someone else in a very visceral, emotional way. And that's just fascinating.