Now anyone can move anywhere. I've made deep connections with people around the world since I tour everywhere that I will simply never see again.
First of all, [St. Stephen's] is a radical church. It was one of the first DC churches to have gay ceremonies. A woman said mass there, which almost got a priest excommunicated there; Black Panthers spoke at the church; it was a sanctuary for civil rights protesters and anti-war protesters.
Columbia Heights was a poor, messed up area, and the church was in the middle of it. What happened inside was a reflection of the community. I actually saw my first rock concert on the altar of that church [St. Stephen's].
The food thing is crazy to me. In this town the beer thing is also crazy to me. Frankly even with Brightest Young Things, it's such a celebration of [beer and food], all this stuff. I don't think it's bad or evil, but there's something out of bounds. It's like, "A bar opened!" Who cares? Think about that.
As hard as you try and create narratives about sports, once the ball is in the air, there's not a damn thing you can do about it, it's just very real.
I'm not a sports guy. However it's interesting to be in a place where people have a sporting fever. One time I was in Italy during one of the European soccer cups, and it's interesting because it's so electrifying.
The Fugazi Live Series site, when we realized the Internet, the way it works - the speeds and its development - made it possible to have one source of infinite copies, was incredible for us. Using tapes or CD's to make copies would have been so unwieldy. We have shows that have zero downloads, which makes me sad, but they're all freely available at any time. The most downloaded show was the one with the best audio quality, but I didn't think it was a very interesting show.
Trenchmouth, really great band. Here's a photo of them in 1979 playing the Valley Green projects. It was an incredible, unusual experience. We ran a cord through the window and plugged the PA and amps into that and played right in the courtyard. It was an incredible experience. It was just local kids.
One of my friends was a stage hand at a Bob Dylan show in the mid-90s and I remember him telling me that somebody crowd surfed during the gig. And this friend of mine was an old punk rock guy - he was totally humiliated by it. But some of Bob's people were there and they said, "Oh, Bob will be so excited! This is the kind of energy we want at his shows." That's where the old school was at.
For most people who have or who do identify as or with [song] Straight Edge, I feel like for most people, they're just trying to do the right thing.
I have other projects to do. I try not to let that documentation interfere with my present day.
There's also a lot of skateboard stuff, because I was a skateboarder. Somewhere around here I have one of my original boards.
I actually looked up in my journal trying to figure out some dates and, in January 1991, America is about to go back into its first sort of actual war since Vietnam, with the Gulf War. It just seemed unbelievable at the time that this country would do that - which is funny to think about now.
You had bands like D.O.A., or Black Flag, and a whole network opened up to trailblazer a counter culture movement. I'm more interested in the less sensational type of stories.
I don't watch TV but occasionally I'll read the Washington Post. I will say that sports are the only "real thing" on television.
In the 90s, there was a yahoo factor where there would be 50 people crowd surfing at one time! It was insane, and it had nothing to do with the music.
I think about Dischord. There's been a pretty consistent notion that Dischord have been some sort of "overlords" of the scene. Some people have felt 'they are too cool for us,' or 'they won't put this out,' etc. All we're doing is our own work, our own thing. That's all we've ever done. Our work.
I think what we took away from first hearing about the punk stuff in England and then the early American punk stuff was a sense of self-definition and also sort of playing music for music's sake and being part of a family for family's sake.
I consider the piano my 'main' instrument and have been playing for as long as I can remember. It seems to me that I might have come up with something resembling a song as early as 4 or 5 years old.
I'm basically in every band I ever was in, and the songs, I still mean them all. I don't take anything back, so I do look after them to some degree. But my main focus is on what I'm doing now.
When children start to speak they find their own voice by imitating the sounds around them. It would follow that bands do the same. Bands will find their own voice at some point.
