Lasse Hallstrom Quotes

I'm on this diet where you're supposed to eat only fish and meat.

If you're striving for strong emotion and strong sentiment, and you're authentic with it and honest with it, then you're on the right side of the line. But if you step into sentimentality, there is a false move or a false tone to it.

My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.

[Depp] has real ambitions, but he is deeply afraid of being considered pretentious.

To make a movie charming, you have to be playful on all levels and open to ideas, and you have to have an idea for how to do that within the confines of the shooting schedule and editing and all that.

I got to work with my wife, Lena Olin, for the first time, which was great. I thought it might be difficult in some way to talk to one's wife in a different way but it was so not forced.

I was always attracted by the European way of life, but I am deeply Swedish.

I made all their videos, apart from the last two, so if you ever see an Abba video on TV then it’s my stuff.

Kevin, as the whole cast is, just wonderful people and great people, and people who are attracted to this kind of material and accepting the idea of going to Newfoundland and knowing the kind of lack of amenities.

It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.

My father was an amateur filmmaker who shot 8mm color documentaries.

I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting.

I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances.

I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.

My father would tell anyone who would listen that this dentist thing he was doing was not his passion; cinematography was.

Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience.

My films do have characters who have trouble escaping the world around them.

I imagined that it might be awkward to talk to your wife about her performance, so going into it I was a little nervous. But doing it was actually a wonderfully inspiring experience.

Its just, for me, the natural standard: a woman should be able to decide over her own body.

ABBA: The Movie; I got a lot of grief for working on that.

But I notice that there is a lack of darkness in my movies and I don't know where that comes from.

But now I wish I could back to Stockholm to make international films there.

I always need a couple of highlights to really spark the passion for a project.

I always try to preserve my cinematographic style, even while I work in the US. I wish to always be European.

I am always more interested in performance and character depiction, and my direction says as much.