Robert Greene Quotes - Page 8

There is a tremendous problem in modern culture. We have become used to everything coming to us with tremendous speed and ease. It is a culture where discipline and patience is almost impossible to develop.

I hate the way war is seen as something inherently brutal and ugly. Yes, much of war brings out the worst part of our [people's] nature. But in war, all kinds of noble human traits have been developed, such as discipline, cohesion, pride.

When it comes to mastering a skill, time is the magic ingredient.

To succeed in the game of power, you have to master your emotions. But even if you succeed in gaining such self-control, you can never control the temperamental dispositions of those around you. And this presents a great danger.

The music business is just the worst as far as Machiavellian, sharky, evil games going on, as far as manipulation.

Religion humanizes this universe, makes us feel important and loved. We are not animals governed by uncontrollable drives, animals that die for no apparent reason, but creatures made in the image of supreme being

Actually learning ancient Greek was a brilliant practice of mine because you'd sit there and you'd read a sentence and sometimes it would take you a day, an entire day to figure out one sentence. But it really trains you to be analytical, to think in a certain way to try and interpret what something means. So I've been thinking like that my whole life and then I love Machiavelli and I love thinking about politics that way. So it's sort of all that put together and then the good luck to meet a man who is sort of interested in the same thing.

The passive ironic attitude is not cool or romantic, but pathetic and destructive.

We have consciousness and rational powers but unless you're willing to spend the time to gain control of yourself, gain control of your emotions, to think deeply about what you want in a year or two, or where you want your business to be, you're going to be swept away by every new event that occurs in the course of the day or the week and the small amount of time that you plan, that you address to conscious planning, is never enough to overcome the constant tide of emotions and new things happening.

Whether people are making narrative cinema or experimental cinematic movie experiences, they all want the biggest screen possible and the quietest room and the most attention to every nuance and detail. Obviously, most people will not see the movie that way, but I can still hope for it, and I'd like to think we will be able to pull it off this time.

All masters want to appear more brilliant than other people.

If you're in a subordinate position of some sort and pretty much all of us are at some point in our lives, your general tendency is to try and impress the people above you or person above you so well that they will like you, keep you or maybe promote you. In the process of doing that you are not aware that that person above has insecurities and if you try so hard they may see that you are after their job or that you are better than they are or they might envy the fact you are younger.

The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.

Nobody that I know really likes the feeling of having no power and not being able to influence people. But most of us aren't too conscious of what we are trying to do and get that control and that power so people end up sort of playing all kinds of unconscious manipulative games or they're sort of half aware, they have an idea of a strategy or goal they want to use and they think about it. But then in the heat of the moment, it kind of all flies out the window.

Always say less than necessary.

There's a real tension between it being a collaborative art process, which is almost like performance art of yourself, and, as we talk about the movie, it's kind of a mix between melodrama and cinéma vérité. This involves ideas about playing the role of yourself and the movie of your life and all these other things.

We are a social animal, power only exists in a social sense, we have to work in groups.

There's spatial intelligence. they're, which end up being, people going into math or music. there's mechanical where you work well with your hands. There's an intelligence with language that would lead someone into writing. So it's not necessarily that you're six years old and you know you're going to be a lawyer Or you're going into tech startups or computers. It's something more elemental than that. It's that this is a skill, a way of thinking that comes naturally to me that I was drawn to and it was very clear in childhood.

I am impressed when I go on the internet and see a lot of young people who've been influenced by the books, or I meet someone who tells me how it has changed their life. To me, that is much more real than sales figures.

I don't want to promote paranoia. It's not like wow, everybody is after me. You know that's not going to be very powerful. A person like Stalin was like that and he was powerful, but it ended up completely destroying him because he couldn't trust anyone.

I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.

I have the point that everybody essentially have these unique set of DNA you have. There's something different about you genetically. You are unique is what I am trying to say - the combination of experiences and emotions you have felt are never repeated.

When you understand the fear then you can begin to move past it. So when I hear the people say it's innate, you can't learn it, I just want to hit them in the head.

Hip-hop has a feeling element, it's not just about knowing music. It's not like classical music or jazz where you can go on raw energy.

Sadness of any sort is also seductive, particularly if it seems deep-rooted, even spiritual, rather than needy or pathetic—it makes people come to you.