When you're growing up in a family without a lot of money and four boys, it can't always be, 'Let's go see a specialist, see if you're okay.' If you got hurt, you just walked it off.
Sometimes it's just enough to keep your body moving. I get depressed if I don't move.
My father was swallowed alive by his own anus. It was a terrible way to go.
There are 7 billion people on the planet. Pretty much everyone is doing sex. It's not like you need to order the "baby-starter kit" on Amazon. Instincts will come to you at the weirdest places and times.
I've always just liked working. I like being a working actor.
I just want to finish what I'm doing and go home. I want to have a weekend. I want to have breakfast, a stack of pancakes. I don't want to not enjoy where I am at this very moment. So, every time I plan something the exact opposite happens.
I believe in energy like dark energies. I believe that when a family moves into a house where six murders took place, there's going to be some bad juju in that house. But then again what the hell is wrong with you to be moving in that house to begin with?
Anyplace of work where you have a cross section of work, you have mini-ecosystem. A little representation of what the planet is. You have the Alpha Dog. You have the young ones, the old ones. The pissed off one. The quiet one.
Anyone who gets divorced goes through a lot of pain ... I don't think I want to get married again.
I have a discipline that has served me very well in my career and in my personal life... and that's gotten stronger as I've gotten older. I've always felt if I don't just have a natural knack for it, I will just out-discipline the competition if I have to -- work harder than anybody else.
Each time I take a role, I'm always nervous about it at the beginning and I'm always afraid what if that, what if this. Every time I take a role and I'm somewhat terrified at the beginning and I get into it and I start working, that's a big win for me. So, really it is stepping forward in the face of whatever fears that I've created for myself and going forward anyway and those are always big moments for me.
Fragrance is a very personal gift, and I think that's why it makes a great Christmas gift. There's a very distinct signature to it, so if you give it as a gift, I like to think that it's from a person that thinks very highly of you.
I always say that chemistry is something impossible to manufacture. It's either there or it isn't. The fact that you're friends doesn't necessarily equate to great chemistry.
There are guys I admire. Like Jimmy Stewart and - a more modern example - Tom Hanks. They managed to do it and have a really high standard for their work, but at the same time they remained incredibly classy and well-regarded personally throughout the process, which I thought was rare and kind of cool. And I'm trying. I try. I haven't thrown any TVs out the hotel window yet.
There's an old saying that you don't ever finish a movie, you abandon it, and I really believe that. I never walk away from a take and pat myself on the back.
I see guys with, like, eyebrow art, and I wanna tell them, 'You don't have to go too crazy on your brows. Take it easy, man!
I'm pretty good at surprising friends and family with gifts. I tend to go towards the more sentimental side of giving.
You can be deported back to Canada, absolutely, for a shockingly minor infraction. Little bar fight. Next thing you know you are back in Sascatchuan. Which I'm not from, thank God... But it did concern me.
I'm terrified that I'm genetically predisposed to only having boys. That's frightening. By the time I was 10 years old, and I'm not exaggerating, I knew how to patch drywall.
I was a really nervous kid. I was extremely sensitive. Incredibly perceptive.
Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
You have to really make sure that every moment means something, and that every moment, there's a purpose for it. And then you have to blend it all together without it looking like you're really focusing on it. That, to me, was the magic trick that was most difficult for the film [Buried].
I'm a bit of an M&M nut. I like the blue ones. I pick them out.
Hollywood is like a stock market - you're always up and down and all around. With age, you start to invest less in the outcome of that.
