Let grammar, punctuation, and spelling into your life! Even the most energetic and wonderful mess has to be turned into sentences.
Writing is the most fun you can have by yourself.
In all seriousness, people think that it's the ideas that are important. Well, everyone has ideas, all the time. I tend to write mine down and remember them, but at some point you have to apply the bum to the seat and knock out about sixty five thousand words - that's how long a novel is.
The first draft is just you telling yourself the story.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
Rings try to find their way back to their owner. Someone ought to write a book about it.
My advice is this. For Christ's sake, don't write a book that is suitable for a kid of 12 years old, because the kids who read who are 12 years old are reading books for adults. I read all of the James Bond books when I was about 11, which was approximately the right time to read James Bond books.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
Fantasy doesn't have to be fantastic. American writers in particular find this much harder to grasp. You need to have your feet on the ground as much as your head in the clouds. The cute dragon that sits on your shoulder also craps all down your back, but this makes it more interesting because it gives it an added dimension.
I'm not the world's greatest expert, but I would have thought that the wizards, witches, trolls, unicorns, ... broomsticks and spells would have given her a clue?' - when J.K. Rowling insisted she wasn't writing fantasy.
They think written words are even more powerful,’ whispered the toad. ‘They think all writing is magic. Words worry them. See their swords? They glow blue in the presence of lawyers.
I have to write because if I don't get something down then after a while I feel it's going to bang the side of my head off.
There's no such thing as writer's block. That was invented by people in California who couldn't write.
[Science fiction is] out in the mainstream now. You can tell by the way mainstream literary authors pillage SF while denying they're writing it!
I read anything that’s going to be interesting. But you don’t know what it is until you’ve read it. Somewhere in a book on the history of false teeth there’ll be the making of a novel.
There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.
Money is an unavoidable consequence, but it isn't the reason I write; if it was, I wouldn't have written any of the YA books, because advances in that field are small compared to what I'd got now for an 'adult' DW.
As far as I'm concerned, I'm a writer who's writing books, and therefore, I don't want to die. You'd miss the end of the book, wouldn't you? You can't die with an unfinished book.
I certainly don't sit down and plan a book out before I write it. There's a phrase I use called "The Valley Full of Clouds." Writing a novel is as if you are going off on a journey across a valley. The valley is full of mist, but you can see the top of a tree here and the top of another tree over there. And with any luck you can see the other side of the valley. But you cannot see down into the mist. Nevertheless, you head for the first tree.
Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control.
There is a soak-the-rich attitude in the air, a feeling that if you have a lot of money you must have got it by some ghastly means. I can quite happily say there was never any family money. All the money we got was mine, just from writing books.
An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.
The point is that descriptive writing is very rarely entirely accurate and during the reign of Olaf Quimby II as Patrician of Ankh-Morpork some legislation was passed in a determined attempt to ?put a stop to this sort of thing and introduce some honest.
I'm a fantasy writer, called a fantasy writer. But there's very little, apart from one or two basic concepts in 'I Shall Wear Midnight,' which are in fact fantasy. You have sticks that fly, but they're practical broomsticks, with a bloody great strap that you can hold on to so you don't fall off. And you try not to use them too often.
I would like permission to fetch a note from my mother, sir' Ridcully sighed. 'Rincewind, you once informed me, to my everlasting puzzlement, that you never knew your mother because she ran away before you were born. Distinctly remember writing it down in my diary. Would you like another try?' 'Permission to go and find my mother?'
