I always take the audience into account.
If someone realises the piece they are wearing is inspired by me then it only broadens my audience.
I don't pay attention to target audiences and therefore I often hear that I am a ratings killer, somebody who fundamentally doesn't care whether one person is watching or an entire soccer stadium.
He collected audiences around him, and flourished and exhibited and harangued.
I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
Folklore is always changing and evolving for new audiences.
I like risky parts - abrasive characters the audience won't necessarily like.
My ultimate aim would be to captivate an audience, even just for a second.
Once an audience feels that you trust them like you trust a friend, they do become your friends.
I think a mistake a lot of people make is to identify a target audience and then work backwards into creating a product for them.
The more you think about something, the more important it becomes, the more important it is to you, and the more important it will become to the audience.
The lesson of the Internet is that no audience is too small.
Every time I reach a new audience, that means I'm doing something right.
Before my commercial career, I never played for more than an audience of 99 seats somewhere in downtown New York, but occasionally someone would recognize me in the subway and say, "Oh, I saw you in that play, you were really great in that," or "the director was really something." It becomes a conversation. When people spot me on the street from my work in commercials, there's nowhere for the conversation to go. Obviously I'm an actor and I can't.
You don't do pictures because the audience is ready for them. You do them because there's something gnawing at you, something inside.
The audience swelled to six in the end and we all huddled in a corner.
When people told the audience that [Sam Kinison] was good, he was accepted after that.
I could get an audience into my world and if you can do that, they'll go with you not all the way, but a lot of the way.
If you don't have something that glues the audience to the screen, you're in trouble.
Being popular with an audience is a very rickety ladder to be on.
Audiences are the same all over the world, and if you entertain them, they'll respond.
I really want the audience to be on the edge of their seats.
Being in front of a live audience again. I get that in my concerts but there's nothing like being on Broadway.
It's new and different every night. The charge you get from a good audience is like nothing else.
We have audiences that seem to be embracing whether they've heard of the characters or not.
