Cameras Quotes - Page 32

When I'm on the red carpet, I'm prepared for [the attention.] But the worst thing is on planes, when you're asleep and you're woken up by a camera flashing. That's a little bit much. But what do you do? It's a part of [being famous]. Unfortunately.

He stuck a camera down my throat....ewwww, I gagged!!! It was kinda funny though.....he said I have "Acute Laryngitis".

I've been a soldier, I've been a bunch of little girls, all sorts of roles that I would not have been able to be with on camera context because I just don't look the part.

You should never use the camera to make your pictures. You use yourself, your experience to make the picture with the camera. Not the other way around.

The camera cannot, but the photographer can.

I think there are a lot of celebrities who put on a performance on camera.

You know, when cameras are rolling, improvisation doesn't feel natural. The pressure is too great. You're on a time schedule. You've got 60 crewmen.

It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.

I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.

I choose to work behind the camera. And I kind of want to make the work and then run away. The presentation of myself really feels complicated for me.

The celebrity culture demands a camera-ready-at-all-times look or else the photo is circulated in a demeaning headline.

You can't use your camera as a shield against human suffering.

I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.

The whole thing about working in front of the camera is to make people laugh when they're not supposed to.

I get my flow from Daddy, my singing ability from Mommy, the camera stuff from both. That's just what happens when you hang out with the Smiths.

I was really relieved not to have to drag something in front of the camera; I could use a pencil and paper. A regular pencil and typing paper. That appealed to me.

I love cameras but I find myself reluctantly taking pictures because what's past is past.

I don't get a chance to be funny on camera as often as I would like.

I quite frequently don't look through the camera, which is very close to being blind.

Similar thing until today, with digital cameras you look after something like that as robust as they can be.

By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.

What I do not like, the kind of high-resolution cameras, 4K, 6K, for shooting dialogue, for having faces and close-ups of actors, and you see every single pore in the skin.

Of course, you do not do any research: you have to go there and do your film. It's not that I would travel there before without a camera and spend half a year on one of those volcanoes and then come back with a camera. You have to have some sort of a clear mindset.

I have some sort of performing gene that's just there and I cannot explain it but I want to connect with people through a camera or on a stage. I just can do it. I just have an intuitive sense of it. So I love doing that, I love going into that trance.

I've been around Hollywood and filmmaking long enough to know that it's a tricky dangerous business when you go on camera, you got to watch yourself.