Cameras Quotes - Page 33

Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.

I am very suspicious of cameras and dramatic interpretations and the whole Hollywood myth-making process. I don't trust it. I've seen it affect people in bad ways.

Unlike others who have been caught swearing on camera, I apologised immediately. And yet I am the only person banned for swearing. That doesn't seem right.

You've got to love acting and that's true for me. I love the idea of getting on stage and getting in front of a camera.

The more we can put the camera in a better place, the more we can take the audience on a more extreme journey with that character.

In animation, there's silly things I get to do with my voice. I get to have a wider range, so my voice gets to dance more than it does on camera.

I love goofing around, and I love breaking people's balls. I do it off camera, as well as on camera.

I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.

I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get a shot and a big bulky film camera is out of the question.

Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.

The camera hound of the future wears on his forehead a lump a little larger than a walnut.

I first discovered YouTube while browsing the web, and then I found people just talking into their cameras. I never even knew it was a thing you could do.

Everybody knows that only creeps put cameras in the bathroom.

Nobody who cooks does it with full hair and makeup in front of a TV camera.

I love to snowboard with no cameras: 100 percent.

I have a really dry sense of humor. I don't think it's funny when people wink at the camera. That's more of an actor thing, just committing to whatever the thing is.

I do have a concern about projecting. I've never projected or had any reason to project before. In fact, the camera has only gotten closer to me going from TV to film.

Photography is a very forgiving medium. Anybody that can afford film and a camera can make pictures.

I have literally no idea what it's like to shoot a 2D movie. I'd only shot things that were 7 minutes long with a video camera in my apartment with friends.

The camera cannot leave the man, but the man can leave the camera. It's in the style of documentary where you make an agreement between a camera and a man and say, "I'm going to film you now."

If a bout of "creepy face" sets in, the trick is to look away from the camera between shots and turn back only when necessary. This also limits how much of your soul the camera can steal.

A system of cameras and censors are used along the border and interior to help detect the movement of illegal immigrants crossing through the dense brush.

Maybe law enforcement would like the ability to turn on the camera on your Mac.

You cannot explain the whole world in one photograph. Photography pretends. You can see everything that's in front of the camera, but there's always something beside it.

The camera does not know what it takes; it captures materials with which you reconstruct, not so much what you saw as what you thought you saw. Hence the best photography is aware, mindful, of illusion and uses illusion, permitting and encouraging it - especially unconscious and powerful illusions that are not usually admitted on the scene.