Character Quotes - Page 289

One of our continuing myths was summed up in Huckleberry Finn: Our escape, what we think of as our escape, is that we can always light out for the territories. Well, we really can't, not anymore, but that's part of the American character - that belief that at any moment, I could just drop the coffee cup and disappear. And it makes for a different self-image and a different story, in a way.

I'd already rehearsed it [ Don't Kill It script ] for the first time it was supposed to happen and the second time. That was a blessing in disguise because the character [Jebediah Woodley] grew a little bit in me.

The heart and soul of network programming is series programming, the weekly repetition of characters you like having in your house.

Speaking of Twitter, I don't even know if I composed a blog entry in 2009, as I was too busy parceling my every thought into cute 140-character sound bites. I used to only worry about being pithy for a living; now some of my best lines are wasted on a free app!

It just happened that we did [Fences] seven years ago on Broadway. Scott Rudin brought me August Wilson's original screenplay for it, and I realized I hadn't read the play. So I read it. Then I realized that Troy (my character) was 53 - and I was 55 at the time. I realized I better hurry up! I might be too old!

I think all the characters in 'American Horror Story,' which is why I love it, are looking for some sense of meaning, and also it's their form of happiness.

I am more affected by the attractions of virtue than by the deformities of vice; I turn gently away from the wicked and I fly to meet the good. If there is in a literary work, in a character, in a picture, in a statue, a beautiful spot, that is where my eyes rest; I see only that, I remember only that, all the rest is well-nigh forgotten. What becomes of me when the whole work is beautiful!

I wish to note that the level of discourse in Nigeria is abysmally low, and, usually, garnished with character assassination. We allow our personal frustrations to becloud reason

I wanted to be as comfortable in that environment as she was. I moved around those areas in character.

My fun as an actor and my task as an actor is to transform myself to become other people. I enjoy becoming characters but I don't enjoy becoming caricatures. The research I do is only necessary in so far as we move into other dimensions.

During my career I’ve enjoyed re-invigorating and contextualizing classic characters that are relatable to contemporary audiences.

I'm not actually a psychopath. I don't look evil. People don't normally want to put me in the same kind of things afterward, so I'm looking forward to people taking a few risks and hopefully seeing me as the character actor that I think I am.

A girl who sacrifices self-respect for social popularity debases true womanhood. A spotless character, founded upon the ability to say "no" in the presence of those who mock and jeer, wins the respect and love of men and women whose opinion is most worthwhile.

There's no shortage of orphans in 19th-century literature, but it's hard to find a single happy, communicative, functional parental relationship in the whole of 'Great Expectations,' even among the minor characters.

It's good to play something that's black and white, and a guy that sees right and wrong. I've never played a character like that.

Journalism can go right up to the door of the room in which the decisions are made. A novel can go inside the room - and inside the character's heads.

My worst character flaw that I'm conscious of is that I tend to think my way into circles instead of resolving anything. It's paralyzing and boring for people around me.

Listen to the way people talk. If your characters sound real the rest is easy.

I don't see any difference in the craft of acting, in film or television. It's absolutely the same. It's different storytelling, playing a character over multiple hours, as opposed to two.

As we age, there are different things that become important to us and that means that different aspects of our character come to the forefront; certain aspects recede. And that's fun. It would be shitty to have to imitate myself.

Developing a character with genuine depth requires a focus on not just desire but how the character deals with frustration of her desires, as well as her vulnerabilities, her secrets, and especially her contradictions. This development needs to be forged in scenes, the better to employ your intuition rather than your intellect.

William Hartnell was one of the great unsung character actors of his time

On past records I usually did start with a story or an idea for a song and then write around it, but on Achilles' Heel I would just start writing and try to let the song and my sub-conscience determine the direction. which is a goofy way of saying I tried not to decide before hand what the song and or the characters would do and be like.

I'm all about real drama, real performance, and real people, so my twist on this is: I'm creating a family, a brotherhood here. I'm creating a very real chemistry and I have this incredible ensemble of actors led by Will Smith, who are basically playing dimensional characters with lives and souls.

I miss theater. I miss living the arc of the character, from curtain to curtain, and I miss the immediate audience response.