I find myself feeling like Oscar in 'Sweat' just by virtue of cleaning the tables, wiping the bar down and picking up everybody's glasses - and not making eye contact, because that's the character. These are working-class, blue-collar people. These are the people I grew up with. It gets under your skin.
TV is longer form, and that's sometimes a positive, and sometimes a more challenging thing. As an actor, you want to be able to have your character develop or transform in some way. When you're acting on a show over the course of multiple seasons, you get to watch a character really grow and change, and go from one place to an entirely other place.
Don't get me wrong, Carter Smith is an insanely talented photographer, but as a director he approached it more from a story standpoint. He definitely had an interest in communicating the text and the characters first, and he allowed his cinematographer Darren Lew to really find the visuals - of course, he worked with him throughout the entire Jamie Marks Is Dead movie, it was a collaborative effort. While the movie is very visually beautiful, in my opinion, very visually striking, Carter was definitely approaching it from a performance standpoint first.
With every character you play you're always trying to put facets of yourself into those characters. I think Asher, at the beginning of The Giver, when he's goofy and a little bit of a rule-breaker, a little bit of a jokester, I align with him. But then he kind of transforms throughout the movie and becomes someone I don't necessarily relate to. I relate to Adam McCormick's sensitivity. He's more quiet and introverted, and I definitely have those moments as well.
In the first two years this is a man [Clinton] who tried his best to balance the budget, to reform health care, to fight for gay rights, to support personal freedoms. Couldn’t those be considered doing the right things, evidence of true character?
The idea of suggesting that Hannibal Lecter - in the book, he has a sixth finger and red eyes, and so there is a devilry in Thomas Harris' presentation - so it felt like it was completely honest and appropriate for the character. And we often talk in the writers' room, "Okay, there is the Hannibal as the devil explanation of that plot point, but we also need to ground that in a reality that is answerable to the physics of the storytelling."
The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.
I see parody as another form of comedy. If you are making a comedy, there are a lot of different ways to do it. I'm not necessarily always aware of my quote-unquote persona when doing things like that. It's more, "What does the character need at the time?" I'm certainly drawn to certain types of material, there's no doubt about that.
Someone said adversity builds character, but someone else said adversity reveals character. Im pleasantly surprised with my resilience. I persevere, and not just blindly. I take the best, get rid of the rest, and move on, realizing that you can make a choice to take the good.
We don't see many films in which someone with schizophrenia is the main character.
Kids are more drawn to animal characters than human.
Dr. Okun. Who's named after a special-effects guy named Jeff Okun, who had done Stargate for Roland Emmerich and Dean Devlin, who did Independence Day. But "Brakish" just came up one day when Jeff Goldblum and I were improvising, and he told me his character's name and I told him mine.
I've played myself before this ["Brent Spiner"] - and I've played myself since, for that matter - and playing yourself one of the most difficult characters you can play, 'cause God knows most of us don't know who that is.
The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young - I think I'm 28 years old in that - and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I am very proud to be a part of '3 Idiots,' and happy that the character has worked in a big way.
We will win with character, not with characters.
I don't think there is anything wrong with a man who wants to give credit to the Lord, but I don't think the team with the most Christians on it is necessarily going to win. The Lord may be helping their characters and souls, but I don't think he's any more for the Dodgers than he is for the Braves. More than being concerned with who's going to win the Super Bowl, I feel the Lord is probably more concerned that they might find a day other than Sunday to play it on.
It's important to collect unusual characters. It keeps you sharp.
The network wants you to make a thing that's just a stand-alone episode, so you never get any character or continuity. This is one of the ways in which television can actually be good, and even better than the movies, because it gives you a chance to tell a long story.
To play one of the main characters in it, it's not the kind of thing you don't do. Oh, I'd rather not play Pippin in Lord of the Rings... In fact, I'm trying to think - what else would you rather do, you know? I can't actually think of another job that I'd rather do.
Every time I've built character, I've regretted it.
The United States grants the favors of the second, third, or fifty-seventh chance, and its citizens remain free to invent for themselves whatever character draws a crowd or pays the rent.
Why can't God just defeat the devil and get rid of evil? It's the same reason the comic book character can't get rid of his nemesis; then there's no story.
Any characteristic that you can't stand in another person is an aspect of you that you can't stand in yourself. Once you discover that this characteristic is also in you, your resistance towards the other person gets replaced with compassion.
