Character Quotes - Page 403

Well, thank you and that's for them, but for me, I want to look back at a body of work where when you do the research and you explore the psyche of a character, where she's been, where she is and where she's going.

It's the best honor when someone wants to use as their professional title the name of a character that you portrayed.

Being a director is almost like being another sort of character, but you're out of view.

There's usually a sense of humor about all of it. It is what it is. I had two characters that were equally detestable, in very different ways, that hit the airwaves, at the same time. It was a very interesting year in my career, in that way. But I have no fear, on that note. I have a new project for HBO, where I'm going to play the good guy. That's going to be fun and exciting, and shift the paradigm a bit.

People don't stop me on the street and throw things at me. But I'm aware of what that dynamic is, so whenever people react strongly to a character and say that they hate me, I take it as a job well done. And for most people, there's a sense of removal. Most people are not saying, "Oh, my god, I hate you!" Most people that have reactions say, "I love to hate your character."

My strategy to show caricature idea of American youth culture, which I think worked after talking about it for so many years, is that I had only a few things. I wanted to buy my own wardrobe for Rock 'N' Roll High School, which of course they said "Yes" to, because their clothing budget was $200, and I ended up spending my whole salary - which I think was about $2,100 - on my clothes. And also, any time I was onscreen, I wanted to have as much energy as I possibly could. I think it just really worked for the character.

There's not a woman in the book, the plot hinges on unkindness to animals, and the black characters mostly drown by Chapter 29.

Oh, Jeeves,' I said; 'about that check suit.' Yes, sir?' Is it really a frost?' A trifle too bizarre, sir, in my opinion.' But lots of fellows have asked me who my tailor is.' Doubtless in order to avoid him, sir.' He's supposed to be one of the best men in London.' I am saying nothing against his moral character, sir.

I'll always be an outrageous character.

I remember working with Jackie Chan on Shanghai Noon [2000], and when we were working on the script, I thought that my character thought about being an outlaw the way a kid today would think about being a rock star, as a way to impress girls. So it was just kind of a funny idea, but once we had that idea, it changed the character and made it something that was funnier to me to play.

Because it's me playing the character, trying to find a way to make it believable and entertaining and interesting.

There are as many characters in men As there are shapes in nature.

Building a relationship with the character. It's just like sitting with someone you know. It's very easy to predict when they're going to shake their head or say whatever, but because I'm the author I have to make characters do what I want them to do.

I don't really pity any of my characters. I hold my characters under a harsh fluorescent lamp and ask "Who are you?" I'm not doing their makeup or giving them hairdos. They present themselves to me as they are and then I let them say what they want. Usually they're saying something too honest.

In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.

Drudgery is one of the finest touchstones of character there is. Drudgery is work that is very far removed from anything to do with the ideal - the utterly mean grubby things; and when we come in contact with them we know instantly whether or not we are spiritually real.

God does not make us holy in the sense of character; He makes us holy in the sense of innocence, and we have to turn that innocence into holy character by a series of moral choices.

It is easy for us to tarnish God's character because He never argues back; He never tries to defend or vindicate himself.

The only form of fiction in which real characters do not seem out of place is history. In novels they are detestable.

My writing has gone to bits - like my character. I am simply a self-conscious nerve in pain.

I'm a lurid character!

When I write fiction, I create characters whose views are not my own, and I allow them to be eloquent in defense of their, not my, views.

She will look at you as women look at men, and she will judge you as a woman judge men, not on the strength of their arguments, and not in their cleverness or prowess in battle, but rather on the force of their character, the intensity of their passion, their strength of soul, their compassion, and... ah, this above all... their conversation.

A character is what he does, yes - but even more, a character is what he means to do.

Your business will only get as big as the shadow of your character.