Couple Quotes - Page 125

Every couple has two stories - the edited one to be shared from the couch and the unabridged version best left alone.

We are one of those couples i used to watch, thinking to myself that I'd never be on the inside of something so special. I remember reassuring myself that it probably looked nicer than it actually was, I am happy to be wrong about that.

Sure, we were friends who exchanged soulful glances, friends who slept in a bed filled with sexual tension, friends who found any excuse to touch, but I worried that we'd never take that perilous leap of faith toward becoming a real couple, a permanent team.

We've got a great team of editors, that's true. And we work hard so that when we do the couple of takes that they're good takes hopefully. Not always, that's for sure; there are lots of bad ones, but we try to work hard. Clint Eastwood doesn't more than one or two takes in his films. And he makes some good films.

Even just a normal shot I find that much more interesting because of the 3D. It's like a shot of a couple of cars and us walking and it's like, "Oh wow, this is 3D. I've never seen this before!".

A couple of sounds that I really like are the sounds of a switchblade and a motor bike.

It'll take you a couple of vodka and tonics to set you on your feet again.

I think going away and disappearing for a couple of years - or a few years, or whatever - definitely changed the way I look at songwriting. It made me feel more free, it made me feel more like I could just write what I wanted to write about. I wanted to write more observational songs.

Folks call me Ellis. I run an auto shop with a couple of my buddies. We're also in a band. I play bass.

In a couple of Ahdaf Soueif's novels, she gets at the certain kind of English that's being spoken by Egyptians. It's a beautiful, expressive English but it is non-standard, "broken" English that happens to be efficient, eloquent, and communicates perfectly well even if it is breaking rules.

It’s unlikely to change – there’s nothing in King Salman’s past as governor of Riyadh for about forty years that suggests that he was particularly a reformer, not on the role of women, not on democratic development. There’s been a rumor in the last couple of days that he said to someone in an e-mail that he’s in favor of a constitutional monarchy, but I would be surprised if the level of repression started to go down … I think the kind of thing that we would view as significant reforms is unlikely.

You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.

Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.

It's been awhile. My Oscar is getting kind of tarnished. I looked at it a couple of years ago and thought I really needed a new one.

I'm just curious, who's more fit to raise a child? A loving committed same-sex couple or an unmarried 15-year-old with no income and really no skills to parent?

Probably the most difficult scene to film was the one where I'm attacked. I haven't thought about it in a while because, in hindsight, you make jokes about it and you get funny stories from it. When I was talking about it earlier today, I started to realize that it took a couple days probably to get over. Even if you can laugh about it, it's still the physical things that your body has to go through, it's pretty insane.

Childbirth calls into question our very existence, requiring an expectant couple to confront not only new life but death, pain, fear and, most of all, change.

If I'm being forgiving of myself, I could say I'm somebody who was really hungry for experiences. The same thing that would make me go try to be a trail cook on a ranch was the same thing that would make me want to have sex with a couple cowboys while I was there.

What I object to is the hyper-fetishized wedding day, the prioritizing of wedding over marriage. I have a real problem with couples spending far more time discussing the seating arrangement or the color of the bridesmaid's gowns than hashing out, for instance, their feelings about how they intend to handle questions of housework, child-rearing, finances and fidelity for the next four or five decades.

Marriage is a strange combination of dream and reality, and we spend our lives as couples trying to negotiate that divide.

People will always want intimacy with one chosen person and you cannot have intimacy without privacy, which is why couples draw circles of privacy around themselves. They demand that family, neighbors and the law respect their union, and that is why we have marriage.

We invented marriage. Couples invented marriage. We also invented divorce,mind you. And we invented infidelity,too, as well as romantic misery. In fact we invented the whole sloppy mess of love and intimacy and aversion and euphoria and failure. But most importantly of all, most subversively of all, most stubbornly of all, we invented privacy.

Here's the thing: the unit of reverence in Europe is the family, which is why a child born today of unmarried parents in Sweden has a better chance of growing up in a house with both of his parents than a child born to a married couple in America. Here we revere the couple, there they revere the family.

In the first place, Cranford is in possession of the Amazons; all the holders of houses above a certain rent are women. If a married couple come to settle in the town, somehow the gentleman disappears; he is either fairly frightened to death by being the only man in the Cranford parties, or he is accounted for by being with his regiment, his hip, or closely engaged in business all the week in the great neighbouring commercial town of Drumble, distant only twenty miles on a railroad. In short, whatever does become of the gentlemen, they are not at Cranford.

I've been recognized a couple times. I get people staring at me, and I think in their heads they're thinking, 'How do I know her? Did I go to high school with her?' I think it's not registering yet.