When I was a little kid playing baseball, my manager called me Sleepy. And only a few people, who know me from way, way back, call me that still. I used to drift off and that's why they made me the catcher, so I wouldn't fall asleep. That gift I have still.
It's much harder to play beloved than to play a rotten guy. Rotten guy is a piece of cake. So playing a beloved person really sets a high bar for your behavior and your acting and what you project.
When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.
The studios don't seem to foster good writing. They're not so interested in that, but they're more interested in what worked most recently. They're definitely very serious about making money, and that's not a wrong thing, but you don't have to make money the same way all the time.
The truth is, anybody that becomes famous is an ass for a year and a half. You've got to give them a year and a half, two years. They are getting so much smoke blown, and their whole world gets so turned upside down, their responses become distorted. I give everybody a year or two to pull it together because, when it first happens, I know how it is.
Here's the thing, you just have to drive a lot faster, and if you don't get there, we're both fired.
I act like a jerk sometimes.
Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
I've retired a couple of times. It's great, because you can just say, 'Oh, I'm sorry. I'm retired.'
Whenever I think of the high salaries we are paid as film actors, I think it is for the travel, the time away, and any trouble you get into through being well known. It's not for the acting, that's for sure.
The last thing I want is to be (in a film role) is obvious, direct and offensive.
You had to keep the mood up; you had to keep the tempo up. You had to keep the feeling of, "Hey, we're doing something that's really exciting. It's fun being with these people." And the more fun you have, the better you do it.
People usually go through a bad period when they first get successful. You're new and you're hot and things go wrong.
It's a lot of work to read a crummy script.
I love the financing. It's fun to do studio movies, too. I think you should do both. You don't want to be this, "He's an independent film guy." It sounds like, "He makes his own dresses."
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
Half of the people in this room are more dressed up than on any other day in the year, and the other half are more dressed down.
When you see grown men near to tears because they've missed hitting a little white ball into a hole from three feet, it makes you laugh.
I'm not an ungenerous person; I don't resent it. It's just sort of a head-scratcher.
So far, I've only sailed in the Caribbean. I've sailed the Virgin Island and The Grenadines. I liked all that. We charted some really crummy boats in the Grenadines. That made for an exciting sailing trip (laughs) when everything goes well. When everything goes well. When sails rip, engines freeze up and you find there are organisms growing inside the diesel, it's terrible and amazing stuff.
I don't know what my fans are going to think. It's definitely not what they're used to from me.
If I run into someone on the street, that's one thing. But answering mail for a living? I like a job where you can play and act kind of goofy and have some fun.
I don't believe that you can give the same performance every take. It's physically impossible, so why bother? If you don't do what is happening at that moment, then it's not real. Then you're holding something back.
I don't know how this guy knew how much money I was making. I didn't know how much money I was making.