At home, the radio was a big source and the classic radio programs we would listen to like Amos and Andy and whatever other ones there were.
The fact we get played on the radio now blows our minds.
Middle age is when you get in the car and immediately change the radio station.
I'm here as a radio journalist but am not even sure which part of a tape recorder takes the pictures.
I just think Radiohead are f-in' miserable bastards.
I have two syndicated radio shows though United Stations Radio Network.
We don't have a studio, we don't have a radio station, we don't have anybody breathing down our necks to make a budget. We don't have any benchmarks that we have to hit. Our benchmarks are ones that we have set.
Spread the word about good music. Don't just listen to what's on the radio. If you put in a little effort, you can find some truly wonderful stuff.
Public radio is the last oasis of free and independent music. For satellite radio channels, you have to subscribe; commercial stations are as corporate as basic cable.
All the things I used to count on to get my music out there - record companies, they're all gone. And radio stations, they're gone - they're completely controlled by the government. If they're not controlled by the government, they're controlled by a programmer who's controlled by the government. Mainstream radio is suspect. You can't trust it.
It's quiet. No cars. No birds. Nothing.' 'No radio waves,' said the Doctor. 'Not even Radio Four.' 'You can hear radio waves?' 'Of course not. Nobody can hear radio waves,' he said unconvincingly.
Life is a rock, but the radio rolled me over.
No one with a living room radio that was a piece of furniture at the time would say, gee. I want to carry that around on my hip pocket. That was not a thought until NASA initiated this whole exercise. So there's an influence that's not just spinoff.
The show [ StarTalk ] was born as a radio program out of a National Science Foundation grant.
I was recently interviewed for radio in relation to the "Thanksgiving" show [2001] at the Saatchi gallery that I was part of. The interviewer said that people in London were very disturbed that I showed a picture of myself battered ("Nan One Month after Being Battered", 1984) and they thought that I set it up. I was accused of deliberately putting on a wig for that particular picture.
If 'Life in Marvelous Times' can't get on the radio, then I don't need to be on the radio.
When you turn on your radio, you don't always want to hear about someone shootin' some person. Even if that's the lifestyle they live, people don't always want to hear it.
Everything on the radio is metaphorical in a bad way. But when I write a lyric, like "bang my box," that's pretty clear.
In the Internet age, with the screaming on the radio, etc., it is hard to know what to believe and who is informed and who is not.
But in those days - in the mid-'50s, early '60s - there was less than 300 radio stations that were playing country music and a lot of that wasn't full time.
If we compare the two, Facebook is currently a superior place to market a product like Slide. Twitter is more like a general distribution agent. It's like broadcast radio.
I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.
I even played Jack Webb's partner on the radio version of Dragnet for a while.
You hear these stories about people who take apart their radio and put it back. Or just learn a lot from taking it apart. But I wasn't as into that stuff as I was just into how computer programs work.
And then, also, when you're doing something that doesn't sound like anything else on the radio at the time, you almost need to, like, ironclad it to make sure it gets through, you know?
