If you create a good story that has a lot of story value I think audiences like that. It's why they stick with the same TV show over and over.
Every time I see a film or TV show, I think about how that composer made those choices and how that director envisioned music and how that could work onstage or in a film and how you could support that even further by putting lyrics to it.
Twin Peaks' is my favorite American TV show.
You know, a TV show is a slow build.
[James] Baldwin was a celebrity. A TV show like Kenneth Clark could put him aside of Martin Luther King Jr. and Malcolm X. He was, at least, one of the three most important spokesmen of the movement and of the black community.
When you are working on a TV show or series, you just get into the routine. You get used to getting up early. It takes a few days, but once you are up and running, you get used to going home late, and it becomes this very repetitive cycle.
Three, four, five years, we’re out of here. You know what I’m saying? It’s a TV show. This thing ain’t gonna last forever. No way.
It breaks my heart to find myself within the cesspool of reality TV shows.
I'm really excited about my TV show. I wrote it with my best friend.
As an artist, what you do is you put out material constantly. Whether it's films, or TV shows, music... and you know, you hope people respond to it. You always have to know, as well, that not everybody's gonna like it. And that's okay. It's not for everyone. It's just for the crusty nugs.
Even though the vast majority of my work was outside television, the amount of creation and inventing that went into the TV shows was non stop and, unknown to me, a great strain.
It's the big question of every TV show, right, where you have these two people who it's clear the world wants to put them together and everyone wants to see them together, but also when you're telling these stories you can't throw these people together immediately.
I'm trying to write a TV show. Ideally it would be just a reality-TV show, getting the guy who played Eddie Winslow and Kirk Cameron to live in a house. The Jehovah's Witnesses would come to the house a lot or something like that. I kind of like the idea of Scientologists and Mormons and Jehovah's Witnesses trying to convert Kirk Cameron.
I got on the TV show at 40 and that is something very rare. So, I know that God gave me that role (on) One Life to Live - the role of Carlotta, the role of a mom.
I never thought of myself as being that good looking, I was an actor, people saw me on television, and then they start to think you're good looking because of that presentation. I was no better looking before the show, than after - and before the TV show I couldn't get a date to save my life. So what changed? Did I suddenly become more good looking? No. I got lucky, I got a TV show. That's what happened.
I've had lots of things that didn't work out, like TV shows. You learn a lot through mistakes - I learned that you have to be the captain of your ship. Actually, I own my ship.
On Michael Moore TV show, when he went to the home of the guy who invented the car alarm and set off all the car alarms on the block... pretty funny.
I believe I'm just getting started. The TV show is just the foundation.... If you're open to the possibilities, your life gets grander, bigger, bolder!
Lucky me, the producer was arriving, and when he saw me [dressed as an old lady], he didn't know what to think. I told him, 'I'm your grandma here's your lunch, honey,' and I got my first TV show in Mexico.
I rarely watch TV, and in the past two years, I've done three TV shows. It's quite interesting.
The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.
You're used to a TV show, and TV is just made for TV shows. It's not made for live events.So anyways, I was resistant to it, but I did it anyway.
Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.
If a hit came along, I wouldn't be unhappy about that. But I'm a bit too old for that now-doing videos and all those types of TV shows. I've kind of done all that, in the '70s.
Some TV shows are like really good novels in that there are enough episodes that you start to have your own feelings about how the characters should act. When the scriptwriters go slightly wrong, when they make the character make a left turn that he or she wouldn't do, you know enough about the characters to say, "No, that's not what she would do there. That's wrong." You can actually argue with a TV show in a way that you can't do as much with movie - you inhabit a TV show in the way you inhabit a novel.
