People who do comedy really are the nastiest people on the planet.
As for doing more dramatic work over comedy, I do whatever turns me on at the moment.
I know nothing about love and romance, so I prefer to stick to just comedy.
I love my comedy too much to bastardize it with bad romantic comedy.
I can't claim to feel like I've been under some man's thumb in comedy. I've sort of always done my own thing for better or worse, and have been lucky enough to be able to perform ever since.
I've talked to a lot of other women in the field of comedy and none of us feel like being a woman has been a barrier to success in our lives. I can't claim to feel like I've been under some man's thumb in comedy. I've sort of always done my own thing for better or worse, and have been lucky enough to be able to perform ever since. So I'm not surprised by all the articles, but I don't know if it's necessarily true. It's not like we haven't been around.
I did comedies for 10 years and I learned a great deal.
Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.
The problem with romantic comedies is you know the ending by the poster. So they're not movies you can keep doing over and over again expect satisfaction somehow.
I don't get a lot of romantic comedy scripts.
Id like to do a romantic comedy like Notting Hill, which is one of my favorite movies.
How long is it polite to continue to be interested in what someone says after they reveal they've got a boyfriend?
I do as much comedy as I possibly can but I'm basically limited by the imagination of the secretaries who make the decisions.
I got, like, Diane Keaton's manager, and she was very connected; she had power. And she was like, "Your star is in tears on this comedy. Do you even notice that at all?"
I love the absurd - kind of absurdist comedy, absurd things in life.
With a comedy, it's so important to see it with an audience and an audience who really wants to be there and is enthusiastic, otherwise it can be quite a traumatizing experience.
I was a huge fan of comedy when I was a child.
For me, comedy and drama are all the same thing.
I would say, when it comes to comedy, I think Matthew Broderick was great.
It is hard enough to be good at all, but to be good in comedy speaks for your character.
You learn quite a bit about your film from test screening audiences. With both comedies and movies that are intense, you need to calibrate the film and see how audiences react.
Comedy is what happens when you cross the dateline from the unbearable. Things become so unbearable they become a joke.
I haven't really done a lot of comedies. I don't know why, because I really like them
I cant imagine getting bored with comedy or thinking comedy is beneath us suddenly.
I grew up watching British comedy on TV, really.
