When you have the national narrative being "crack is awful and black people are using it," why go against that narrative when you want to get that publication in The New York Times or wherever? It encourages people to play right into it.
Why the hell not run a race across the United States? A balls-out, shoot-the-moon, f***-the-establishment rumble from New York to Los Angeles to prove what we had been harping about for years, for example, that good drivers in good automobiles could employ the American Interstate system the same way the Germans were using their Autobahns? Yes, make high-speed travel by car a reality! Truth and justice affirmed by an overtly illegal act.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
I did not believe I was superior to him. Perhaps the chief reason for his defeat was the overestimation of his own powers arising out of his overwhelming victory in New York, 1927, and his underestimation of mine.
Actually, I used to be a busboy in a strip joint in New York and so I hate strip joints. I'm not that kind of person.
New York ladies all look immaculate.
You gotta call a blacksmith.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
West Side Story was terribly important because of the style of the dancing and the gangs of New York.
I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
Any excuse to live in New York and do art. Has to be one of the most rewarding experiences in the world.
New York, like London, seems to be a cloacina [toilet] of all the depravities of human nature.
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
I didn't know what I was doing in New York.
We've actually seen Black man murders [in] many a major city in the United States - New York City, St. Louis, Missouri, from Cleveland to Baltimore. It was those sorts of incidents that were very much prevalent in the forefront of that jury's conscience that allowed them to believe that this man [O.J. Simpson] could have been set up.
When I was 16, I was in Boston and some friends said, 'You want to go to New York?,' I went with my roommate... These guys said, 'We're going to this club. Just don't go in the washroom.' It was CBGB. I had no idea what it was or the history of all the music. All I knew was this was my first 21-and-over club and I managed to get in!
I think of New York as a puree and the rest of the United States as vegetable soup.
I wanted to try something different. Most people my age go off to college; I thought I'd try out New York.
I didn't worry about leaving the fast lane - I was just so consumed with my baby that it seemed like the right thing to do. I never felt like I left New York, though. If you've lived in a place and loved it, you never feel like you left it.
New York has more hermits than will be found in all the forests, mountains and deserts of the United States.
New York is just New York. It's a hard city, it's a hard city to live in. It's a desperate city. It's filled with scam artists and people who are always looking for a way in and a way out and the majority of people have to really negotiate their way through that jungle to get to the other side; the other side being a place of tranquility and peace and home and safety.
This is something I've always wanted to do- to skate through a part of New York City that thousands of people ride through every week, feeling the energy of one of the original stomping grounds of street skating.
I lowered taxes in New York. I reduced the size of government in New York. I took a $2.4 billion deficit and turned it into a $3.2 billion surplus. And I reduced taxes over 23 times or 23 times.
We were in the middle of a sandbar in the middle of the ocean with no one around, and still someone was following me from New York, and was hiding in some bushes like a mile away with a long lens, so he still got pictures. It was really an eye opener to how you really have to be careful about being followed everywhere. I was trying to go to the most remote place in the world, I was out on a sandbar in the middle of the ocean, and they still found me. It was definitely a very new experience.
The week before the (US Open) I gave a few interviews for CNN, USA Network, New York Times, USA Today and Sports Illustrated which had been arranged beforehand. The reason for giving these interviews is not only because working with the media is just part of the job, it is much more my desire to contribute to the promotion of tennis in the U.S.