Dane Cook Quotes - Page 9

I feel like the gods have certainly patted me on the head.

What happens in Vegas, I'm telling everyone.

I can't watch a woman play with herself - to me, it looks like a DJ working the turntables... DJ Diddles.

My brain is very fantastical. If I ever actually recorded myself, I could probably win a Grammy for sex talk. Being on the road while in relationships, you need to learn to pleasure one another.

Sometimes, like we all do, I look at myself in the mirror. Sometimes I cry. Like a really hard cry like you just watch yourself cry but then you're done and you're just glowing and you're staring at yourself.

When you swear to God, its true ... right now God is watching and saying, this is true.

Ex-girlfriends will find themselves in my new routine. Sometimes they like that, and sometimes they definitely do not. But comedians should come with a giant warning or disclaimer: IF YOU DATE ME, IT WILL BE IN MY ACT.

My advice is: to try and stay really true to the things that make YOU laugh, as opposed to trying to create a character that you think is funny. Some comedians get into bad habits when they are trying to create something that is not them, and they are trying to write a voice that isn't their true voice.

The key to attempting to create art in some aspect is also knowing that it will turn some people off.

There was a girl I loved in high school - but never spoke to. Cut to my five-year reunion: I'm an entirely different person.

Because of what I experienced when I was a kid, I want kids to have that kind of an epiphany moment, that little jolt, that little spark that they see when Dusty ['Planes'] flies higher than he has before. That scene where he flies straight up, and he's starting to get dizzy, and then finally it comes together. We forget as adults. We get jaded and we think that's kids' stuff, but for a kid who doesn't know about anything technical or how a movie is made, they're just going to see this and hear this beautiful score and see this dynamic, fantastical thing happening in front of them.

I was told by a girl once that I should teach a course on how to kiss properly. I thought that was really a nice compliment. I then asked her what she thought about my sexual prowess and she recommended I talk to a guy she used to date. Body blow.

After you have loss in your life and after you experience something like losing your parents, the greatest gift of that was it prepared me for [anything]. Nothing else is as scary, and certainly stand-up comedy is not as scary as sitting there with your mom and having to have last conversations and things like that. It's heavy stuff, but it's enlightening because it makes me think I shouldn't be afraid of sharing ideas and thoughts with people. It's the yin and the yang of life.

I'm sure that people who have been tweeting funny things have ended up on writing staffs of a late night show.

Even when I go to a salad bar, I need to feel like I'm one of the first people there.

You have to realize, when you're a comedian, that you have to have a thick skin. And trust me, being onstage in front of people is already difficult enough. Somebody's personal attack in an email is not as hard as getting onstage.

If you think your demeanor is mellow or not particularly charismatic, the material can life you higher. So write everyday, and get onstage or in a coffee shop where they are doing open mice, anywhere you can perform even if that means starting your own open mic night - and be your own self.

Comedy is immediate. Comedy is a solo mission. You're all by yourself, up there. And when you're in a film, on a set, it's a collaborative effort. It's about me being a tool for somebody else to create a story and a character from nothing, from their imagination.

I don't like people that litter. If you don't throw a wrapper in the trashcan and you just toss it out on the ground I wanna take you and toss you into outer space.

There were times, earlier in my career, where I didn't have the wherewithal to self-edit, and I probably said things and pushed the limits to places where people might be put off. But that's truly part of developing as an artist.

Onstage, it's all just a heightened and more elaborate version of me. When you're standing onstage, your adrenaline is going, your enthusiasm is at full tilt, and the excitement helps elevate you're attitude. I've always wanted to be as close to myself offstage, being funny with my buddies, and that's what I've worked hard on - being authentic to who I really am.

You have to have a strong sense of humor to date me, and also know that you're probably going to be a part of the routine quite a bit.

If my voice can resonate that way with kids, maybe it will resonate through 'Planes' as well, and they'll hear that little something that I'm giving to them, a performance that says to them, "I want to try." It's all interconnected. I don't think it's thinking too deeply about it.

I want to be able to challenge myself. And do things that are away from what I usually do. Stand-up is safe for me. I can do stand-up in front of twenty-five thousand people, and I'm like, "I know how to do this. This is what I do." I want to be a little scared.

I just get excited doing shows. Off stage I am actually very feeble and must be spoon-fed because my hands are too brittle.